Friday, October 23, 2026

everywhere home, at William D. Cannon Art Gallery Biennial

 by Patricia Frischer



Jean Benelli: Home Spun

Jean Benelli: Home Spun

When Alyson Benford pushed to bring back the popular and prestigious biennial exhibition for the City of Carlsbad at the William d. Cannon art Gallery, she had to bring technology for the submissions up to current standards. She was rewarded by a record number of submission and narrowing the choice to 83 works by 84 artist was a task she gladly accepted.

In everywhere home our feelings about home are as varied and individual as we are. Home for some is a concrete place, a porch, a yard, a pet, For others it is capturing an emotion and those are equally as wide ranging as the look of a house. It can be memories or hopes and dreams. It can be a place of peace, or sadness or longing or joy. But this exhibition shows us that home is a depository for inspiration. 

You might have to come to this large show more than once to find the work that calls to you. And the selection shown here is just  one of many  possible gatherings. (Note: works with reflective glass, or placed so that a good photo was not possible were out of the running for this report, but this means it is even more important to go the exhibition for yourself. 



Overview of the everywhere home exhibition

Cate Dudley: Threshold

Therese Cipiti Herron: Underpinnings of Home

Susan Hirsch: Decay of Time

Elizabeth Washburn: Whereever You Art

Katherine Kenneday: Home

Maryam Bayat: Persian Garden: Where Roots Become Home 

Sasha Furlan: Grandma's Ktchen

Lourans Mikhail: San Diego

Sophie Ancel: The Beating Heart

Richard Barbara: Untitlted

Sherry Baker: The Straggler

everywhere home
William D. Cannon Art Gallery Biennial
1775 Dove Lane, Carlsbad, 92011
Artist Reception Nov. 7, 3 to 5 p.m.
On view until Jan 3. 2027
Tuesday to Saturday 10 a.m. - 5 p.m. Wednesday noon - 7 p.m. Sunday 1 - 5 p.m. 



Tasende Gallery: Small but Elegant

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt


Aitor Tasende

If you’re an art-lover, you should know Tasende Gallery in La Jolla, which has been in existence for almost half a century, and exhibits museum-quality international art. 

Originally established by José Tasende in 1979, the senior Tasende is still Gallery President, with  his son Aitor Tasende as Gallery Manager—the one who will greet you at the door.

Other personnel you may get to meet on a visit:  Aitor’s sister Betina Tasende, Associate Director of the Gallery, 

 and Gallery Director Mary Beth Petersen, who started out as the founder’s assistant in 1979. 

Those are the people behind the gallery, and their current exhibition, as always, is well worth seeing. Here’s a  look at some of the 18 pieces we encourage you to go see for yourself.


Eduardo Chillida: Untitled

Fermando Botero: My Room

Fernando Botero: The Bathroom

Giacomo Manzu: Head of Pope John XXlll

Lynn Chadwick: Two

Niki de Saint Phalle:  Nana Star 2000


Wayne Thiebaud: Ice cream cones

Tasende Gallery: Fall Selection
820 Prospect Street, La Jolla.
Hours: Tuesday-Friday, 10-5. Saturday, 11-5.  Closed Sunday and Monday. 
Phone: 858-454-3691.


Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles for over a dozen years. You can reach her at hew2@sbcglobal.net

Thursday, October 22, 2026

Roni Breite: An artist with Breite Ideas

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt.

 

The artist outside, with her Rakish Piece.

“I make uncommon art from common objects,” Roni Breite has written.  In other words, she sees interesting possibilities in things other people step over, ignore, or toss out.  

Different sorts of odds and ends seem to call to her, something  that began in 2018 when she suddenly noticed an old bicycle chain ring her husband had tossed in the trash and realized she could give it new life. “I transformed it, and the process transformed me!” she said.

 Rotary, the Breitened bicycle chain ring.

Maurice and I got to see many of the results at her home in San Diego, a week before she was inviting friends, neighbors, and an assortment of interested art lovers to come to a special event, with   all of her artwork on view—over 170 pieces, including some works in progress—and most of the pieces available for sale. 

Here are some of our personal favorites:

Bridged, made of a guitar bridge.

Guitart. She made five different pieces out of this guitar.

Goo Goo Face, made of hairbrush, calculator keyboard, marbles and copper rings.

The Wait.  “This is my infertility piece,” she told us. “After years of infertility, we adopted, and what you see here is multiples of my hand over my husband’s belly and arm, and the green is our backyard.”

In the kitchen: Palm Hooter, made of palm frond and CDs.

A view of her studio wall.

In the past few years, Roni’s work has blossomed; it’s been shown in a number of galleries, and featured on the announcements for two of the group shows.  And it was a delight to view her often amusing and always inventive artworks, indoors and out.

“I see something, it’s compelling, and I say I’m gonna make something with this someday,” she said. 

“And someday I do… though it may not be soon.”

Coming Soon?  Making art out of mishap.

“Five months ago, we were on a bike trip in Italy, and I broke my right elbow,” Roni told us. “Luckily, I’m a lefty, but I’m still undergoing rehab and not dextrous enough for art-making yet. So I’m saving scraps of the thermoplastic that’s used to make splints to make my next artworks when I’m ready again!” 

Roni currently has pieces on view at Woodward Contemporary Gallery in Old Town and ACE Gallery in Oceanside.  To contact her: breiteideas@gmail.com

For more of Roni’s uncommon art visit her website.  

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles for over a dozen years. You can reach her at hew2@sbcglobal.net

Gaze of the Dead: A Stunning Seasonal Exhibit at Encinitas Library

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt, except as noted.



Artist Luis Murguia merging with his La Muerte.

Elegant skeletons welcome you into the lobby of Encinitas Library, just in time for Dia de los Muertos, the Day of the Dead, a holiday in Mexico and other Latin American countries that honors departed loved ones and takes place from October 31 to the actual DOTD November 2. These skeletons are called Catrinas, and I was happily able to interview the artist, Luis Murguia, who lives in Escondido.

 

Posing with Catrina Christina,  his inspiration for La Muerte. (Photo by Luis Murguia)

To begin with: a little about Catrinas.

They were originally created in the early 1900s by José Guadalupe Posada, a political printmaker who was criticizing the dictatorship of Porfirio Diaz and his high-end supporters who decked themselves out in European styles during the Mexican Revolution.

In 1947, Diego Rivera created a large-scale mural that popularized the Catrina, which gradually became a symbol of the Day of the Dead.

And now, introducing our local Catrina artist: Luis Murguia was born in San José, CA, but his parents decided to move to Tijuana to reunite with relatives there. They never really celebrated the Day of the Dead, but as a child, he was very artistic, and when his family moved back to California in the 1980s, he kept on painting, and friends and family members began commissioning artworks from him.  He even did a mural for a Mexican restaurant in Arizona.

Then, a few years ago, a relative asked him to create a skeletal Mariachi Trio for his family. They had seen something like that at Disneyland, and thought it would be great to have a similar piece for their home celebration of the Day of the Dead. 

“I was just experimenting at that time, looking for new projects, so I thought that would be a good challenge for me,” Luis said.  “I came up with the idea of using PVC pipe for the frame of each piece, which would keep them light. I’d worked with paper maché in school, so I thought of paper maché and cardboard. And when I’m done with a piece, the painted finish looks like ceramic or porcelain.”

The Mariachi Trio (Photo by Luis Murguia)

 
At first, he made his own skeletons; this time, he used store-bought skeletons and created the pieces on top of them.  Still, each Catrina can take up to two weeks to make, depending on how detailed it is: fine art isn’t easy.

 Here’s a little about each Catrina:

Libelula. Her name means dragonfly: See her dragonfly wings? 

La Catrina Azul.  Inspired by a Catrina on a Solana Beach poster for a DOTD event several years ago.

 La Tapatia & El Charro. She’s inspired by La Catrina Andante, on instagram, he by El Charro Gonzales, a cultural ambassador for DOTD.

La Catrina Rosa. Inspired by a pink dress Luis’s wife recently received as a gift.

La Catrina Verde & El Catrin. Both inspired by cards in La Loteria.

“When you see a Catrina, it’s a reminder that we all have the same destination, and life is to be celebrated,” Luis says. “And there’s one day a year we can remember and honor the lives of our loved ones who have passed.”

Maurice and I come to visit these Catrinas often: they actually lift our spirits, every time. You can do the same, through January 5, 2027, when the exhibit ends. You can even take one home for yourself—they are all for sale—or commission the artist to create something special for you. Contact him at luis2152@att.net

Catrina/Day of the Dead Exhibit by Luis Murguia 
On view until Jan 5, 2027
Encinitas Library
540 Cornish Drive, Encinitas, CA 92024
760-753-7376. 
Hours: Monday10-6; Tues/Wed 12-7;Thurs 10-6;Fri-Sun 10-5.

 

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles for over a dozen years. You can reach her at hew2@sbcglobal.net

Wednesday, October 7, 2026

Irma Sofia Poeter A-Dress: Power and Belief at San Diego Mesa College Art Gallery

 by Patricia Frischer


Reverse of dress below

Irma Sofia Poeter’s exhibition at SD Mesa College Gallery struck three cords.  1. These fashions from the rear view are as important as the front view. This drives home the idea of dress as sculpture. 2. Seeing the designs (even in photographs) on real people bring them to life in a way that define a different point of view. 3. Looking closely at each work, means seeing the amazing details of works creating new and upcycling old fabrics in completely different ways.

Clothes can be worn as  body armor, self-expression, beautification, or even political statements. Poeter’s constructions are all of these and together they define a cultural that she has created out of her life experiences. They define her as much as a self-portrait.

There are then works that are not to be worn and are purely soft sculptures. The rows of stuffed shirts, stuffed animals and the wall of baby dresses, are living next to wall tapestries.  She truly embodies an artist who lifts the act of sewing into fine art. We are proud to say she is a 2016 SD Art Prize recipient.






Reverse of dress above


Reverse of coat above












Details of dress above



Details of tapestry below





Detail of tapestry below

Detail of tapestry below


Irma Sofia Poeter - A-Dress: Power and Belief  
San Diego Mesa College Art Gallery

Exhibit on view October 5 - 29, 2026
Artist Talk on Wednesday, October 21, 6 PM
Fine Arts Building, Art Gallery, FA103, 7250 Mesa College Dr. SD 92111Art
FREE and OPEN to the public. 
Monday through Thursday, 12 - 5 PM.
Or, set up an appointment for a time outside these hours. Gallery Director, Alessandra Moctezuma  or call (619) 388-2829 during business hours.