Wednesday, April 8, 2026

Cafés and Cabarets: The Spectacular Art of Toulouse-Lautrec at San Diego Museum of Art

by Patricia Frischer



Although Henri Toulouse-Lautrec was born to a rich family, a disability  stopped his legs from growing but pushed him into a world of art during the Belle Époque in Paris. This exhibition is mainly his work with color lithography*, but what is impressive is his gentle and respectful view of  ladies of the night. Yes, there are posters for performances, advertising commercials, but there are also a few lovely little drawings of horses and a dog, and one or two stunning oil paintings. 

Toulouse-Lautrec was friends with Edgar Degas and Vincent van Gogh, and you see influences, especially in the use of large areas of flat color which now look so contemporary, but go way back to the influence of Japanese graphics.

The museum store has a large selection of Toulouse-Lautrec goodies as you would expect, but it was delightful to see two of our San Diego Art Prize artists featured as well. Books, notebooks and candles related to Marianela de la Hoz and ceramic dishes by Beliz Iristay can be found in displays toward the front of the store.

*”In 1987, the San Diego Museum of Art received the spectacular gift of over one hundred paintings, drawings, and prints from the Baldwin Foundation, then overseen by Maruja Baldwin Hodges. This gift drew from the collection of Baldwin M. Baldwin, a Toulouse-Lautrec connoisseur whose holdings of the artist’s work were among the most comprehensive in the world and which were first shown at The San Diego Museum of Art in 1972. In celebration of this gift and the Museum’s centennial, this exhibition shares approximately fifty works by Toulouse-Lautrec from the permanent collection.”


















Belize Iristay


Marianela de la Hoz


Cafés and Cabarets: The Spectacular Art of Toulouse-Lautrec
On view until September 20, 2026

The San Diego Museum of Art
1450 El Prado Balboa Park, San Diego, CA
Monday, Tuesday, Thursday, Friday, Saturday 10:00AM - 5:00PM
Sunday  12:00PM - 5:00PMClosed  Wednesday


Boundless: Reflections of Southern California Landscapes in Midcentury Studio Ceramics at Mingei International Museum

by Patricia Frischer


Boundless: Reflections of Southern California Landscapes in Midcentury Studio Ceramics


Frank  Papworth



Frank  Papworth

Midcentury ceramics from South California is a very impressive exhibition and this is because the Mingei can put together an installation that is dynamic and stunning to view. The use of large photographic murals of landscapes that directly relate to the works on view was so engaging and supported one of the major themes of the show…the relation of  physical landscape to the creation of these works. Political and social landscapes are also woven into the didactic, especially with the display of one work by Peter Volkous from 1970 whose abstract expressionist bent led to non-functional art objects. This was the start of studio ceramics movement.

The Mingei is all about the handmade and Martha Longenecker, its founder,  was a student of Laura Andreson’s and contributed many of the works to this show of nearly 150 objects from Mingei’s permanent collection curated by Guusje Sanders. But others not mentioned below who are featured are  Rupert J. Deese and Vivika and Otto Heino as well as Martha Longnecker herself.  We love the quote from the press release: "Clay becomes the language of landscape.”


Gallery View


Laura Andreson 


Beatrice Wood 


Beatrice Wood


Laura Andreson (left) and Otto and Gertrud Natzler (right)


Laura Andreson 


Laura Andreson - 2 views this and below 


Laura Andreson 


Laura Andreson 


Harrison McIntosh


Peter Voulkos




Restitched: Feed Sacks in Mid-Twentieth Century Quilts 

Guusje Sanders has also curated the small but delicate Restitched display of quilts made from leftover cotton feed sacks. It is interesting to note that these feed sacks in the 1930’s and 40’s were more and more created by the manufacturers to cater to the taste of those who purchased them using softer cotton and removeable or erasable sales tags. Clothes were made from these sacks as well as household furnishings, but it is the impressive quilt covers that tell the story of a handmade art that endures.  

Feed sack: long enough for a skirt!


Feed sack, doll pattern


Feed sack: scrapes for quilt cover


Feed sack: scrapes for quilt cover


Feed sack: scrapes for quilt cover with advertising included



Restitched gallery view

Inside the Design Center 

A quick shout out to the mid-century furniture design show which just ended. The Design Center in Hillcrest was a center in San Diego for all things modern 




Boundless: Reflections of Southern California Landscapes in Midcentury Studio Ceramics
On view until  Jun 7, 2026 

Restitched
On view until  May 10, 2026
 

Mingei International Museum
Balboa Park, 1439 El Prado, SD 92101
Tues - Thu, Sat Sun: 10am - 5pm
Fri 10am - 8pm, Closed Mon


Friday, March 20, 2026

Exquisite Potential: Surviving the 21st Century through Surreal Metamorphosis at The FRONT Arte Cultura

 by Patricia Frischer



Lana Moss

Exquisite Potential: Surviving the 21st Century through Surreal Metamorphosis is on view until May 9 at The FRONT Arte y Cultura in San Ysidro. This gallery space is run by Francisco Eme, a SD Art Prize recipient from 2024 and is a great community resource. This is the 19th year of the annual Día de la Mujer juried and invitational exhibition. We love to see when galleries combine both types of entries. You can see this year’s curator Ariana Torres choices clearly as she is the Assistant Curator at the Mingei International Museum. She specializes in textiles, jewelry, and cultural storytelling, focusing on Filipinx and Mexican/Chicanx narratives. The exhibition features work from over 20 international and local BIPOC women and non-binary artists from both sides of the border.

Be assured when an artist enters a juried show, it is vital to know the selector and what their special interest are. In this case, we loved the fact that there were so many artefact-like works in the show. The exhibition notes that it is drawing inspiration from the Surrealist movement and you could see that in Sarah Garcia’s furred cup or Aida Urbina’s landscapes but certainly the exhibition could not be called surreal. Yes, there is mythmaking like the strange house about hair by Helena Westra and Georgina Treviño’s platonic love swing. And fascism was brought to the fore in the embroidered warships of Aidelen Montoya.

But it appears that Torres love of objects ruled the day and we are happy with that as it was hard to choose which images to share of the many on display. Lana Moss‘s fork appears as the devil’s pitchfork. Alejandra Dueñas’s little pottery woman holds all her hopes and dreams. Isa Guadalupe Medina’s fish is a masterwork of beaded glory. Alondra Zamorano’s woodcut bull is enlivened by a frame the likes of which we have never seen. 

One thing is very true in reading the artists’ statements about their work. They are all in stages of metamorphosis. They are changing from childhood to adulthood, from the effects of society, from fear to empowerment. And yes, this potential for change is exquisite. 


Alejandra Dueñas


Georgina Treviño


Georgina Treviño - detail



Akiko Surai


Avia Rose Ramm


Sarah Garcia


Ari Bird

Ari Bird




Isa Guadalupe Medina


Isa Guadalupe Medina - detail

Kerianne Quick

Kerianne Quick - detail



Mônica Lóss


Helena Westra



Helena Westra


Aidelen Montoya


Aidelen Montoya


Alondra Zamorano



Alexandra Carter



Aida Urbina


Breanna «Nana» Rohde


Nicole Antebi


Nicole Antebi



Gallery View


Exquisite Potential: Surviving the 21st Century through Surreal Metamorphosis
The FRONT Arte Cultura
On view until May 9
Exhibition Tour/ Artist Talk, May 7th, 2026, 5 – 7 pm
147 West San Ysidro Blvd. San Ysidro, CA 92173
 Open hours: Tues – Sat 11am – 6pm
(619) 428-1115 Ext. 206  thefront@casafamiliar.org

Invited Artists
Kerianne Quick
Georgina Treviño
Aidelen Montoya
Sarah Garcia
Akiko Surai
Helena Westra
Ari Bird
Paola Capó

Open Call Artists
Aida Urbina
Alejandra Dueñas
Alexandra Carter
Alondra Zamorano
Ana Villalpando
Ana Violeta Horta
Angela Zamora
Avia Rose Ramm
Breanna «Nana» Rohde
Elizabeth Rooklidge
Gabrielle Berens
Isa Guadalupe Medina
Lana Moss
Laura Estela Huerta Ponce
Mônica Lóss
Nicole Antebi
Olivia Arreguín
Paloma Gonzalez, Unapiel
Simone Quiles
Sitoë Thiam / n-girls collective