Sunday, April 19, 2026

Instructions for Unrest: Art Against Complacency at Space 4 Art @ Art Produce Gallery

 by Patricia Frischer


Marcos Ramirez ERRE: (translation)
Someday the anvil, tired of being an anvil, will become a hammer

Disruption, resistance, and social change are concepts that many of us have had since protesting against the Viet Nam war. Did we think this would still be necessary in 2026? Hell no, but  here we are, again and again. 

As one of the artists in this show, Instructions for Unrest: Art Against Complacency  curated by Alessandra Moctezuma, I will not presume to speak for the others, but in my artists statement I share:

“In this series, I have taken the  traditional paper doll—part of my childhood play, but also an idealized identity—as a vehicle for political expression. Each hand-cut figure carries a protest banner or is connected to a feminist or political slogan . This  transforms these fragile, easily torn and  intimate objects into a public  presence. I like that this represents a collective strength while still being essentially girly. I have always believed that repeated images gain validity. Yes, they are decorative and nostalgic but they are also a quiet act of resistance.  My small  images when put all together can carry powerful demands for change.

Our lives are being constantly reshaped by our memories. My tears will be mixed with the paint for these paper dolls and they will always have a personal meaning for me, probably not applicable to anyone else. But that authenticity seems key to me. We wear these little fragile selves which are irreplaceable because they somehow hold great meaning.”

I am proud to show alongside these artists who care so deeply. We are all calling out for some action, no matter how small. Doing nothing is not now an option. 

Other artists on view in the exhibition include: Electronic Disturbance Theater (EDT), Terri Hughes-Oelrich,  Nick McPherson (Nicholas Danger), and Teresa Mill. Thanks to Space 4 Art in partnership with Art Produce for presenting this opportunity for artist to express themselves. 

Michelle Montjoy


Michelle Montjoy


Doris Bittar


Doris Bittar


Katie Ruiz


Jennifer de Poyen



Cameron York


Nicole Gonzalez


Linda Litteral


Claudia Biezunski-Rodriguez (Sew Loka)


Patricia Frischer


Patricia Frischer


Patricia Frischer's series Paper Doll Insurrection
with special appearance by
Katie Ruiz and curator Alessandra Moctezuma

A very artistic spread of food for the opening - because an army marches on its stomach.


Instructions for Unrest: Art Against Complacency
Curated by Alessandra Moctezuma
Art Produce Gallery
Presented by: Space 4 Art in partnership with Art Produce
On view until  May 14, 2026
Artist Panel Discussion: May 14 from  6-8 p.m.
3139 University Ave., San Diego
Gallery Hours: Fridays 1-7 p.m.; Saturdays 12-6 p.m.; or by appointment



Thursday, April 16, 2026

Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys at the Museum of Contemporary Art in La Jolla

by Patricia Frischer 


Ebony G. Patterson

What makes this a must-see exhibition is that Kasseem "Swizz Beatz" Dean and Alicia Keys have a home in La Jolla and although only a small part of the collection is in the house, about 10% of the 1000 art works they own i.e. 140 pieces by 40 artists,  are on display in our own Museum of Contemporary Art Museum. This is the only west coast venue for the show that started in Brooklyn, New York and has now been at five venues. We expect lots of Los Angeles art lovers will be visiting before the end of the exhibition August 9th.

Keys and Dean have been married since 2010 and the collection was founded in 2014. This is not just a family collection, but it is a cultural platform because of the ethics that they bring to their acquiring practice.   If they sell a work, a portion of the sales goes back to the artist. If the artist wants to borrow any of the works from the collection, they are immediately granted that right. Artists have often stayed in one of their homes, been invited to dine and generally supported. In the music world, royalties are a regular part of the income of the creator, so they recognized that does not happen in the visual art world. They want their collection to be a legacy for their artists  and a legacy for their blended family as well. 

Yes, they focus on Black contemporary art and artists from the diaspora, but their strategy is to look at the art first, not the color or the price tag. The show is titled Giants fittingly because there are a large number of very large works in the show. Sometimes, you have to be large to be heard as we all know. There are giants of the art world including for example : Jean-Michel Basquiat, Nick Cave, Gordon Parks, Ebony G. Patterson, Mickalene Thomas, and Kehinde Wiley just to name a very few. But the concept is to encourage giant ideas, giant conversations, giant audiences, and to encourage everyone to be their own giant selves. Keys and Dean are giant collectors and they want to encourage black collectors to collect artists of color.


Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys is organized by Kimberli Gant, the Curator of Modern and Contemporary Art, and Indira A. Abiskaroon, the Curatorial Assistant of Modern and Contemporary Art at the Brooklyn Museum in New York, where the exhibition debuted. The coordinating curator for the exhibition at MCASD is Associate Curator, Amy Crum. There is an Official Exhibition Playlist. Do take the time to see the video interview of the Keys and Dean on the lower level of the exhibition near the elevator. A similar interview* is included below, but seeing the big screen for this giant exhibition is worthwhile. 

We highly recommend this exhibition and suggest you take a leaf out of the Dean's book and have a "Just Because" viewing party and go with friends. 



Ebony G. Patterson


Amy Sherald


Gerald Moreles


A piano used by Alicia Keys early in her career


Gordon Parks



Kehinde Wiley



Esther Mahlangu


Jean-Michel Basquiat


 

Deborah Roberts


Deborah Roberts


Frida Orupabo


Tschabalala Self


Barkley L. Hendricks


Kwame Brathwaite


Nick Cave




Nick Cave


Deana Lawson


Hassan Hajjaj


Mickalene Thomas

Derrick Adams

                                                 

Derrick Adams


Nina Chanel Abney


Titus Kaphar


Meleko Mokgosi 


Meleko Mokgosi 


Arthur Jafa

Other artist in this exhibition: Radcliffe Bailey, Ernie Barnes,  Jarvis Boyland, Jordan Casteel,  Jerome Lagarrigue,  Odili Donald Odita, Toyin Ojih Odutola, Zohra Opoku,  Jamel Shabazz,  Malick Sidibé, Lorna Simpson, Sanlé Sory, Vaughn Spann, Henry Taylor, Hank Willis Thomas, Qualeasha Wood, Kennedy Yanko and Lynette Yiadom-Boakye.  


Kasseem "Swizz Beatz" Dean and Alicia Keys


*

A variation of the video in the exhibition created by the Brooklyn Museum



Hometown Heroes  includes artists recently acquired by Alicia Keys and Swizz Beatz. Pimental and Cruz were discovered at the Por Vida coffee shop in Barrio Logan by Chata who exposed the Dean and Keys to their work. 

Chata


MJ Pimentel


Arthur Cruz



Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys
Hometown Heroes
On View until August 9
Museum of Contemporary Arts San Diego
700 Prospect St., La Jolla, CA 92037
Thursday—Saturday: 11AM—7PM, Sunday: 11AM—5PM

Tuesday, April 14, 2026

Music and Art at ICA North on an Almost-But-Not-Rainy Evening.

By Lonnie Burstein Hewitt. Photos by Maurice Hewitt.

 

Hannah Arendtby Pedro Reyes.

On the morning of April 12
th, with the weather looking scary, what was to be an outdoor concert at 6 p.m. at ICA North in Encinitas was relocated to the upstairs gallery, and I was wondering if I’d have to wade through mud to see the newest addition to the ICA North Sculpture Trail.

But the weather turned out to be dry and fairly pleasant, and the sculpture was on view in the street-level garden, though there wasn’t much garden there yet. 

Hannah Arendt is an impressive piece made of volcanic stone by Pedro Reyes, a Mexican sculptor and architect whose work hopes to “encourage new ways of seeing and social responsibility.”

He has done a series of sculptures inspired by Hannah Arendt, a German-Jewish refugee who managed to escape from Nazi Europe and ultimately became a U.S. citizen. Best known for her statement on “the banality of evil,” she was a political philosopher and humanist who believed that people are only free when they act together and don’t allow evil to flourish. There’s a Center for Politics and Humanities named for her at Bard College in upstate New York, where she taught for years.

The musical part of the evening was thoroughly delightful, as Art of Elan concerts, indoors or out, always are. The floral displays on the wall gave a sense of the natural world outside, and the acoustics were brilliant, as were the performances.  

Percussionists Andrew Watkins and Fiona Digney.


Hanah Stuart, viola.


The Quartet: Andrew Watkins (percussion), Julie Smith Phillips (harp), Eric Starr (trombone), Hanah Stuart (viola).


Artful Harpist’s Fingers.

And a good time was had by all!

 

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles in San Diego County for over a dozen years. You can reach her at hew2@sbcglobal.net 

Hubbell Brothers Reunited at Oceanside Museum of Art

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt, except as noted.



James' Mountain of Sculpture. Assemblage by Brennan Hubbell.


If you’re a local art-lover, you’re probably familiar with the work of James Hubbell, and perhaps you’ve visited Ilan Lael, the place near Julian he created for his family decades ago that continues welcoming visitors today. Though he died in 2024, his artwork lives on….and now, for the first time, we see some of it alongside the work of his younger brother, Bert Hubbell, who spent most of his life in Japan and was an artist as well.

The OMA exhibition, Brothers in Arts, was curated by Brennan Hubbell, who is James’ son, Bert’s nephew, and an artist himself.

 

Bert's Mountain of Sculpture.  Assemblage by Brennan Hubbell.

Brennan Hubbell with James' Mountain of Sculpture.

On an introductory tour of the exhibit, Brennan mentioned the similarities between the two brothers, who never saw each other in person again after Bert and his Japanese wife moved to Japan in the mid-1960s. But they kept in touch with frequent letters, some of them illustrated. Both men had happy marriages and lived near mountains: Bert near Mt. Fuji, and James near the Vulcan Mountain Range. Both felt close to nature, created their own art compounds, and produced an enormous amount of artwork.

Brennan, who was born after Bert left for Japan, finally met his uncle in 2001, when he went to Japan and stayed with Bert and his wife, Hiroko, in their home-- a great experience, where he got to see a lot of Bert’s art and lifestyle.

“To my Dad, everything was a work of art,” Brennan said. “He was a humble person who wanted to inspire people to create a better world. Bert was interested in Shinto and Zen and the ancient cultures of Japan; Dad’s work was like a prayer for the world and the universe.”

All the works in this exhibit were done in this country, before Bert moved to Japan.

“I think they both were in dialogue with their materials, seeing what their materials wanted to do,” Brennan said. “Bert called himself a ‘primitive artist’ and was never willing to sell his work; Dad was the one who went to art school. And they died within weeks of each other, after a reunion by video call, when neither of them could speak but they could still see and smile at each other.”

“This is really a family story,” Brennan added. “And I tried to create compositions of their pieces here that have an instinctual relation with each other.”   

It’s an engaging exhibition, featuring works from the Hubbell Family Foundation and the Ilan Lael archives, and the wall-size assemblages Brennan created are a notable part of the show, inviting viewers to look closely and consider the stories that might be behind every piece on display.

The future of Bert Hubbell's body of work is uncertain. For more about Bert visit his website Unveiling the Remarkable World of Bert Hubbell

Bert Hubbell, Untitled drawing. Courtesy Brennan Hubbell.

For more about James Hubbell and the foundation he started visit the Ilan Lael Foundation 

James Hubbell, A Gallery at Ilan Lael, watercolor.


And while you’re on OMA’s second floor, you’re just steps away from Aaron Kramer: Sense of Wonder, a collection of weird pieces made from salvaged materials, on view through August 23.  We particularly enjoyed the artist’s printed statement: “Trash is the failure of imagination.”

If you have time, and the weather is fine, walk a few blocks toward the beach to check out OMA West at The Seabird: An Annex Gallery of Oceanside Museum of Art. It’s a small gallery on the main floor of the Seabird Hotel at 101 Mission Ave. where we found some unexpected delights. 

Brothers in Arts: James Hubbell and Bert Hubbell
On view through September 6.
Oceanside Museum of Art
704 Pier View Way, Oceanside, CA 92054
760-435-3721
Hours: Wednesday-Sunday, 11 a.m.-5 p.m.

 

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles in San Diego County for over a dozen years. You can reach her at hew2@sbcglobal.net