Sunday, May 31, 2026

Endless Summer at Techne Art Center

 By Patricia Frischer


Yena Kim

Chuck Thomas wrote of this exhibition Endless Summer,  “ Endless Summer affirms that San Diego is not only a remarkable place to live, but a vital place to create. “ This is the second in a series started in 2023 with Fresh-Squeezed at Techne Art Center which continues to present their artists with multiple works in mini one-person exhibitions. The space accommodates this so well with multiple rooms and two levels.

Yena Kim’s whicker work was so impressive as it was if it grew in the room, looping over existing pipes and creeping up and down walls.  These baskets by Kim started as light shades but the wild nature of their shape took over and catapulted them in to sculptures.  

Gail Roberts’ flower in the work below is actually a composite of many different flower parts, but it reads as one. Her colors continue to impress with their vividness, as she develops from earlier works to these color field and natural selection series.  

Ashely Kim charming pots with elephant motifs and her hanging spoons/small shovels hanging from baby arms are a bit at odds with each other. The pots seem to be the way to go as their reflect on a more ancient history.

John Dillemuth continues to entertain us and this is another chance to see his contraptions and even play with them in a more casual setting than a museum.  

Jay Bell goes back to his first cars and moves on to trucks in this group of flat backgrounded compositions. A whole series of white trucks seems to have grabbed his attention as they represent the work horse of the modern era.

Lee Puffer presents paintings we have never seen before along with more disturbing version of her well-know ceramics. The color from previous sculptures in now splashed on canvas, and the pottery heads are left almost red clay bare.

You have to come close up to see Maddie Butler‘s photographic images embedded and laying on the surface of what looks like computer components. It is almost as if the hard surfaces are holding the real images captive.

Steve Harlow running images stretched down the hall, around the corner and even jumped the staircase into the next room and we ran right along with them. They are dense with color and imagery and maybe the pages of a story leaping right out of a book.

Scott Bruckner long lean finely finished wood sculptures are almost a through back to another time, maybe, mid-century modern meets Brancusi.

Other artists included in this exhibition: Phillip Ritterman, Kelsey Overstreet, Marisa DeLuca, Ahavani Mullen, Philipp Rittermann



Yena Kim


Yena Kim

Gail Roberts

Ashely Kim

Ashely Kim


Ashely Kim



John Dillemuth



Jay Bell

Jay Bell

Lee Puffer

Maddie Butler

Maddie Butler

Steve Harlow


Steve Harlow


Scott Bruckner

Endless Summer at Techne Art Center
Showing until August 1st, 2026
1609 Ord Way, Oceanside, CA  92056
Chuck Thomas 917-972-1752
Thurs, Fri and Sat 1-6pm

Sunday, May 24, 2026

Oceanside Museum of Art features David Adey, plus, plus, plus....

 by Patricia Frischer


David Adey


Here is a look at 5 of the 6 exhibitions currently on view of the Oceanside Museum of Art. 

This survey show of 25 years of the work of David Adey, curated by the artist and Mark Quint is of interest particularly to see what he has been up to since receiving the SD Art Prize in 2010. It is an impressive gathering for a man who has never really been satisfied with two dimensions. The works ties together nicely with the title Sacrificial Bodies.

Adey uses his own body to map the surface of his skin and in doing so cuts and flattens the images much as a cartography might do. He uses commercial images from fashion magazines to make hearts out of lips,  but also gathers thousands of clips of snake oil sales adverts from the TV to enliven his flower encrusted mannequin. He has even resewn a lamb from the cuts of meat you might buy at the grocery and presents the entire carcass in a freezer. What could be a more sacrificial symbol than a lamb!

At first glance, the wood column that has been shot to within an inch of breaking, the beer bottles turned upside down and made into glasses and the shoes with acrylic heels sealing in his shit might seem like one-off jokes. But they give you a very good look into the mind of the artist who uses his unique way of seeing the world to create his art. The carefully cut out space for a glue gun in the book of Frankenstein including the cut-out pages, was a favorite…what if the monster was glued together instead of stapled?

Adey gives himself permission to have fun,  be obsessive, craft with infinite care. We wish him another 25 splendid years. 


David Adey

David Adey

David Adey


David Adey


David Adey

David Adey

David Adey

David Adey

David Adey

David Adey

David Adey, detail

David Adey


David Adey, detail

David Adey, detail

David Adey

David Adey

David Adey

David Adey, detail



This two-sided exhibition started with a wonderful screen that was made by James Hubbell for the SD Art Prize exhibition  in 2013 at the Athenaeum Art and Music Library in La Jolla. It was a delight to see it again, standing tall and proud. The bright red side with its fabulous hinges and the subtle honeyed wood side with the carved surface and lovely hints of color. This is so representative of the man himself, strong and so kind. This exhibition curated by his son Brennan Hubbell, brings together the two brothers James and Burt Hubbell.  We included here a few close ups of favorites pieces and a video of the mountains. You can read the full report  Hubbell Brothers Reunited at Oceanside Museum of Art Picked RAW Peeled by Lonnie Burstein Hewitt. 

James Hubbell, reverse below

James Hubbell


Burt Hubbell's Mountain and James Hubbell's Mountain...both of sculptures by these brothers. 

James Hubbell

Burt Hubbell

Burt Hubbell



Two things are striking about the show featuring the sculptures of Aaron Kramer. This first was his wonderful sense of space in the solid and still works that you could not touch to animate. These immediately gave you a sense of the serious skills this artist had at his command. They are simple, uncluttered and profound.

The second striking thing was this man’s amazing teaching skills. You can easily imagine him showing the smallest student how you can take a piece of wire and some cardboard and make a toy that will delight you. He would help you to glance around you to find some trash, and help you bring it back to life. Imbuing inanimate objects with motion and emotion, makes them into treasures. That is a lesson we could all learn. 




Aaron Kramer

Aaron Kramer

Aaron Kramer

Aaron Kramer

Aaron Kramer

Aaron Kramer

Kate Tova: A Place to Rest (My Tired Mind) until Sept 27

During the Covid 19 isolation, Kate Tova made a series of  “glitch” artworks she calls her Flux series. You can see these on the staircase at OMA. These are exciting, explosive views of flora, some on canvas and some cut out and reminding us of the Big Bang theory of evolution. They are an eye-popping rush of color pleasure.  Maybe these works or the pandemic wore her out, as now A Place to Rest (My Tired Mind) comes forth. Fields of flowers with relaxing figures are pretty, but the star of this part of the show is the large canvas spilling out onto the floor in three dimensions beckoning us to lie down awhile even though we know we cannot do so. This is strangely not frustrating as it does carry some of the pop of the previous work which is invigorating.  Maybe we don’t all need to rest?





An additional building to the east of the existing museum does not just mean more space, it signals the re-imagining of the existing space as well. With less than a million dollars left to raise, the construction is anticipated to begin in early 2027, with a projected public dedication date in spring 2028. Take a look at the scale model, the rendered drawings and especially the video conception of the largest and most important cornerstone for the arts in Oceanside. 






Oceanside Museum of Art
704 Pier View Way, Oceanside, CA 92054
(760) 435-3720
Hours: Wednes to Sun 11:00am–5:00pm. Extended Hours on First Fridays 11:00am–8:00pm

Friday, May 8, 2026

Hunt Slonem: A Decade of Wonder at Madison Gallery in Solana Beach

 by Patricia Frischer



Is Hunt Sonem an expressionist or a pop artist? Do the works deserve their large prices? Do we need to hear stories of his youth and experience of butterflies and bunnies? The answers might not be relevant to you at all, because the sheer joy of the colors and shapes gives such immediate pleasure. At this times of such political turmoil, sometimes you just need this type of escape.

Madison Gallery has often shown Hunt Slonem’s art before, in fact this is the 10th solo exhibition. There is more than a decade of work on display…about 80 pieces filling the entire gallery space. The landscapes inspired by some of the properties owned by Slonem near New Orleans were lovely additions with their gouged lines showing base colors.

The impressive salon hung wall with a large selection of works including  Lincoln and Churchill gives you an idea of how rich and varied these two decades of support by the Solana Beach gallery has been.  






detail of the work above



















Hunt Slonem: A Decade of Wonder
May 2 to June 27, 2026
Madison Gallery
320 South Cedros Ave, Suite 200, Solana Beach, CA 92075
858 523 9155 INFO@MADISONGALLERIES.COM
 Gallery Hours Monday - Saturday, 10-5, Sunday by appointment only