by Patricia Frischer
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| David Adey |
This survey show of 25 years of the work of David Adey,
curated by the artist and Mark Quint is of interest particularly to see what he
has been up to since receiving the SD Art Prize in 2010. It is an impressive
gathering for a man who has never really been satisfied with two dimensions. The
works ties together nicely with the title Sacrificial Bodies.
Adey uses his own body to map the surface of his skin and
in doing so cuts and flattens the images much as a cartography might do. He
uses commercial images from fashion magazines to make hearts out of lips, but also gathers thousands of clips of snake
oil sales adverts from the TV to enliven his flower encrusted mannequin. He has
even resewn a lamb from the cuts of meat you might buy at the grocery and
presents the entire carcass in a freezer. What could be a more sacrificial
symbol than a lamb!
At first glance, the wood column that has been shot to
within an inch of breaking, the beer bottles turned upside down and made into
glasses and the shoes will acrylic heels sealing in his shit might seem like
one-off jokes. But they give you a very good look into the mind of the artist
who uses his unique way of seeing the world to create his art. The carefully
cut out space for a glue gun in the book of Frankenstein, including the cut-out
pages) was a favorite…what if the monster was glued together instead of
stapled?
Adey gives himself permission to have fun, be obsessive, craft with infinite care. We
wish him another 25 splendid years.
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey, detail |
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| David Adey |
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| David Adey, detail |
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| David Adey, detail |
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| David Adey |
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| David Adey |
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| David Adey |
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| David Adey, detail |
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| James Hubbell, reverse belwo |
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| James Hubbell |
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| James Hubbell |
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| Burt Hubbell |
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| Burt Hubbell |
Two things are striking about the show featuring the sculptures of Aaron Kramer. This first was his wonderful sense of space in the solid and still works that you could not touch to animate. These immediately gave you a sense of the serious skills this artist had at his command. They are simple, uncluttered and profound.
The second striking thing was this man’s
amazing teaching skills. You can easily imagine him showing the smallest
student how you can take a piece of wire and some cardboard and make a toy that
will delight you. He would help you to glance around you to find some trash,
and help you bring it back to life. Imbuing inanimate objects with motion and
emotion, makes them into treasures. That is a lesson, we could all learn.
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| Aaron Kramer |
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| Aaron Kramer |
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| Aaron Kramer |
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| Aaron Kramer |
Brothers in Art: James Hubbell and Bert Hubbell until Sept 6
Aaron Kramer: Sense of Wonder until August 23
Kate Tova: A Place to Rest (My Tired Mind) until Sept 27
Also showing Matrix Multiplied: Hybrid Approaches to Printmaking until August 2
704 Pier View Way, Oceanside, CA 92054
(760) 435-3720
Hours: Wednes to Sun 11:00am–5:00pm. Extended Hours on First Fridays 11:00am–8:00pm




















































