Showing posts with label Exhibits. Show all posts
Showing posts with label Exhibits. Show all posts

Friday, November 6, 2026

Visiones Nocturnas: Queer Nightlife in Contemporary Art at the Museum of Contemporary Art, La Jolla

 by Patricia Frischer


Andres Payan Estrada

The cross-border theme is an essential part of the San Diego art environment. Although the New York disco scene is one that most people of heard of with dance clubs, dive bars and bathhouses, this show is all about the queer nightlife  of the Latine and Latin American  community. The works in the show are from 1990 to the present and stretch along the border from El Paso to San Diego with documentation of Los Angeles and as far north as San Francisco.

There are painting, photography, sculpture, textile, collage, video, but you have to use your imagination if you want to fill the space with gyrating half nude figures dancing the night away. Even with the encouragement to come onto the checkerboard dance floor and follow the video’s contained energy, or wonder through the chiffon curtains of the Visiones Nocturnas, the space seemed empty, and maybe it is that sense of emptiness that is a commentary on the angst of being a queer Latine.  The show was inspired by the title of  Andres Payan Estrada’s artwork and curated by Amy Crum  for MCASD." The opening reception party surely gave a whole new upbeat vibe to the exhibition. 

Andres Payan Estrada detail



Installation view

Joey Terrill

Isa Ybarra

Juan Arango Palacios



Martine Gutierrez's clubbing video

Visiones Nocturnas: Queer Nightlife in Contemporary Art
Museum of Contemporary Art San Diego 
On view until Jan 17, 2027
700 Prospect St.,La Jolla, CA 92037
Thursday—Saturday: 11AM—7PM, Sunday: 11AM—5PM
Free every second Sunday and third Thursday of the month

Sasha Koozel Reibstein: Eternity Utters A Day at Quint Gallery

 By Patricia Frischer



 

Eternity Utters A Day seems to have so much to do with time. Time not just as a way to sequence events, but as a construct. Time could be an object that  can puts stress in our lives…not enough time, not enough hours in the day. But what if time is actually sacred. That is  when we think of time as eternity…a time when time has no end. And time can have no definition at all when we are truly present.

When you are an artist, and you are fully involved in the process of making, you lose track of time. it is the best experience as it removes you from all the outside worries. For Sasha Koozel Reibstein, the outpouring of work in this exhibition including vessels for plants and candles set in an environment of nature, means she has had a windfall of timeless moments.  

The show is joyful and full of surprises. And she is offering you the chance to take home a little piece of her peace. 



Installation view






Sasha Koozel Reibstein: Eternity Utters A Day
Quint Gallery
On view until Nov 25, 2026
7722 Girard Avenue, La Jolla, CA 92037
info@quintgallery.com  858.454.3409
Tuesday-Saturday 11am-5pm


Forest for the Trees - Stephen P. Curry and Jeff Irwin at R.B. Stevenson

 by Patricia Frischer


Stephen P. Curry and Jeff Irwin

You can’t see the forest for the trees is a proverb  that dates back to at least the 16th century in England, appearing in print around 1546 by John Heywood. Basically, you miss the big picture by getting too involved in the details.

But the more fascinating thing about this exhibition is the relationship of these two artists who are colleagues. It is the 17th century intense lighting of the Baroque that Curry shines on his painted trees, while Irwin’s all white sculptures create the same high relief shadows.  Irwin has long worked with stumps, log and branching shapes, incorporating animal parts to make fantastical objects. Seeing the works side by side is really thrilling as they are so complimentary.

Is this a bigger picture that is missing? Could be, but it is enough to see two such talented artists in the same space. 

 Stephen P. Curry

Jeff Irwin

 Stephen P. Curry

 Stephen P. Curry

Jeff Irwin

Jeff Irwin

 Stephen P. Curry

Stephen P. Curry and Jeff Irwin

FOREST for the TREES - Stephen P. Curry and Jeff Irwin
R.B. Stevenson Gallery
On View until Nov 21, 2026
7661 Girard Avenue, Suite 10, La Jolla, 92037
rbstevensongallery@sbcglobal.net  (858) 459-3917
Tue to Sat: 11:30 to 5 pm


Sunday, November 1, 2026

Small Wonder at PHES Gallery

 By Patricia Frischer

 

Gail Schneider

Gail Schneider

Small Wonder at PHES Gallery is the third large exhibition to open in the last couple of weeks that has been reported on this blog. Techne Art Center’s Persistent Vision had multiple works by more than a dozen artists. Cannon Gallery’s 2026 Biennial Everywhere Home showcased 83 works by 84 artists. Now, Small Wonder present 74 works by 32 artists. What makes this show special, besides the high quality of choice for the show by owners Paul Henry and Ellen Speert, is that all the works are priced under $500. 

We don’t have to mention that artists in San Diego need to make sales to afford to stay in our region. So several of the displays contain multiple works and although priced separately, they would be great impact displayed together.

As the holidays approach, please remember that Artist Sunday is Nov 29th and PHES is a great place to shop to support our locals.  



Gallery Overview

Julia CR Gray

Heidi Rufeh

Alexandra Babic

Nanette Newbry

Barbara Jarman

Richard Hawks

Rosemary KimBal

Lauren Lee Cherry was showing her jewelry creations in a pop up display
on the porch of PHES during the opening reception. 



Gallery Overview
Small Wonder
PHES Gallery
On view until Jan 2. 2027
2633 State Street, Carlsbad Village, Carlsbad, 92008
Thursday - Saturday, 2-7pm and by appointment
More info: Paul Henry  760-696-3022

Friday, October 23, 2026

everywhere home, at William D. Cannon Art Gallery Biennial

 by Patricia Frischer



Jean Benelli: Home Spun

Jean Benelli: Home Spun

When Alyson Benford, curator of exhibitions at Cultural Arts Department pushed to bring back the popular and prestigious biennial exhibition for the City of Carlsbad at the William D. Cannon Art Gallery, she had to bring technology for the submissions up to current standards. She was rewarded by a record number of submission and narrowing the choice to 83 works by 84 artist was a task she gladly accepted.

In everywhere home our feelings about home are as varied and individual as we are. Home for some is a concrete place, a porch, a yard, a pet, For others it is capturing an emotion and those are equally as wide ranging as the look of a house. It can be memories or hopes and dreams. It can be a place of peace, or sadness or longing or joy. But this exhibition shows us that home is a depository for inspiration. 

You might have to come to this large show more than once to find the work that calls to you. And the selection shown here is just  one of many  possible gatherings. (Note: works with reflective glass, or placed so that a good photo was not possible were out of the running for this report, but this means it is even more important to go the exhibition for yourself. 



Overview of the everywhere home exhibition

Cate Dudley: Threshold

Therese Cipiti Herron: Underpinnings of Home

Susan Hirsch: Decay of Time

Elizabeth Washburn: Whereever You Art

Katherine Kenneday: Home

Maryam Bayat: Persian Garden: Where Roots Become Home 

Sasha Furlan: Grandma's Ktchen

Lourans Mikhail: San Diego

Sophie Ancel: The Beating Heart

Richard Barbara: Untitlted

Sherry Baker: The Straggler

everywhere home
William D. Cannon Art Gallery Biennial
1775 Dove Lane, Carlsbad, 92011
Artist Reception Nov. 7, 3 to 5 p.m.
On view until Jan 3. 2027
Tuesday to Saturday 10 a.m. - 5 p.m. Wednesday noon - 7 p.m. Sunday 1 - 5 p.m. 



Thursday, October 22, 2026

Gaze of the Dead: A Stunning Seasonal Exhibit at Encinitas Library

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt, except as noted.



Artist Luis Murguia merging with his La Muerte.

Elegant skeletons welcome you into the lobby of Encinitas Library, just in time for Dia de los Muertos, the Day of the Dead, a holiday in Mexico and other Latin American countries that honors departed loved ones and takes place from October 31 to the actual DOTD November 2. These skeletons are called Catrinas, and I was happily able to interview the artist, Luis Murguia, who lives in Escondido.

 

Posing with Catrina Christina,  his inspiration for La Muerte. (Photo by Luis Murguia)

To begin with: a little about Catrinas.

They were originally created in the early 1900s by José Guadalupe Posada, a political printmaker who was criticizing the dictatorship of Porfirio Diaz and his high-end supporters who decked themselves out in European styles during the Mexican Revolution.

In 1947, Diego Rivera created a large-scale mural that popularized the Catrina, which gradually became a symbol of the Day of the Dead.

And now, introducing our local Catrina artist: Luis Murguia was born in San José, CA, but his parents decided to move to Tijuana to reunite with relatives there. They never really celebrated the Day of the Dead, but as a child, he was very artistic, and when his family moved back to California in the 1980s, he kept on painting, and friends and family members began commissioning artworks from him.  He even did a mural for a Mexican restaurant in Arizona.

Then, a few years ago, a relative asked him to create a skeletal Mariachi Trio for his family. They had seen something like that at Disneyland, and thought it would be great to have a similar piece for their home celebration of the Day of the Dead. 

“I was just experimenting at that time, looking for new projects, so I thought that would be a good challenge for me,” Luis said.  “I came up with the idea of using PVC pipe for the frame of each piece, which would keep them light. I’d worked with paper maché in school, so I thought of paper maché and cardboard. And when I’m done with a piece, the painted finish looks like ceramic or porcelain.”

The Mariachi Trio (Photo by Luis Murguia)

 
At first, he made his own skeletons; this time, he used store-bought skeletons and created the pieces on top of them.  Still, each Catrina can take up to two weeks to make, depending on how detailed it is: fine art isn’t easy.

 Here’s a little about each Catrina:

Libelula. Her name means dragonfly: See her dragonfly wings? 

La Catrina Azul.  Inspired by a Catrina on a Solana Beach poster for a DOTD event several years ago.

 La Tapatia & El Charro. She’s inspired by La Catrina Andante, on instagram, he by El Charro Gonzales, a cultural ambassador for DOTD.

La Catrina Rosa. Inspired by a pink dress Luis’s wife recently received as a gift.

La Catrina Verde & El Catrin. Both inspired by cards in La Loteria.

“When you see a Catrina, it’s a reminder that we all have the same destination, and life is to be celebrated,” Luis says. “And there’s one day a year we can remember and honor the lives of our loved ones who have passed.”

Maurice and I come to visit these Catrinas often: they actually lift our spirits, every time. You can do the same, through January 5, 2027, when the exhibit ends. You can even take one home for yourself—they are all for sale—or commission the artist to create something special for you. Contact him at luis2152@att.net

Catrina/Day of the Dead Exhibit by Luis Murguia 
On view until Jan 5, 2027
Encinitas Library
540 Cornish Drive, Encinitas, CA 92024
760-753-7376. 
Hours: Monday10-6; Tues/Wed 12-7;Thurs 10-6;Fri-Sun 10-5.

 

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles for over a dozen years. You can reach her at hew2@sbcglobal.net

Wednesday, October 7, 2026

Irma Sofia Poeter A-Dress: Power and Belief at San Diego Mesa College Art Gallery

 by Patricia Frischer


Reverse of dress below

Irma Sofia Poeter’s exhibition at SD Mesa College Gallery struck three cords.  1. These fashions from the rear view are as important as the front view. This drives home the idea of dress as sculpture. 2. Seeing the designs (even in photographs) on real people bring them to life in a way that define a different point of view. 3. Looking closely at each work, means seeing the amazing details of works creating new and upcycling old fabrics in completely different ways.

Clothes can be worn as  body armor, self-expression, beautification, or even political statements. Poeter’s constructions are all of these and together they define a cultural that she has created out of her life experiences. They define her as much as a self-portrait.

There are then works that are not to be worn and are purely soft sculptures. The rows of stuffed shirts, stuffed animals and the wall of baby dresses, are living next to wall tapestries.  She truly embodies an artist who lifts the act of sewing into fine art. We are proud to say she is a 2016 SD Art Prize recipient.






Reverse of dress above


Reverse of coat above












Details of dress above



Details of tapestry below





Detail of tapestry below

Detail of tapestry below


Irma Sofia Poeter - A-Dress: Power and Belief  
San Diego Mesa College Art Gallery

Exhibit on view October 5 - 29, 2026
Artist Talk on Wednesday, October 21, 6 PM
Fine Arts Building, Art Gallery, FA103, 7250 Mesa College Dr. SD 92111Art
FREE and OPEN to the public. 
Monday through Thursday, 12 - 5 PM.
Or, set up an appointment for a time outside these hours. Gallery Director, Alessandra Moctezuma  or call (619) 388-2829 during business hours.