Helen Redman: Lifelines
Mesa College, San Diego CA
Article by Cathy Breslaw
www.cathybreslaw.com
Helen Redman Mesa College, San Diego (drawings on wood in background) |
This
quote by Terry Tempest Williams printed on the first page of Helen Redman’s catalog
‘Lifelines’, describes the essence of Redman’s work as an artist. Redman’s art is courageously expressed through
the lens of herself in relationship to motherhood and grandmother-hood. Rather
than hiding her gender as many female artists of her generation have done, Redman
faces it all head-on. Both her identity and life challenges as a woman and
mother take central stage in her paintings and drawings in this retrospective
exhibition. For Redman, her role as an artist is inextricably linked to her
family as she documents the stages of pregnancy, birth, grief from the death of
a child, and the growth of her children and grandchildren at various points
into adulthood. Redman began her ‘Lifeline’ series in the early 1960’s. Her realistic but expressionistic style of
drawing and painting have remained consistent throughout the years. Her use of
color, form, shape and patterns provide us with direct clues about how Redman
was feeling and thinking at any particular point in time each work was created.
Using a range of materials – pen and ink, oil pastel, acrylic and oil paint and
mixed media, on surfaces ranging from paper, canvas, to wood, Redman’s
figurative works also tackle the female through stages of menopause and aging. Though
Redman’s work has connections to female painters like Frieda Kahlo and Alice
Neel, Redman’s work is more intimate and personal. ‘Lifelines’ is a life-chronicle
that along with her family who are fortunate enough to have their lives
documented in such a personal way, we can appreciate and perhaps see some of
ourselves mirrored in the process. ‘Lifelines’ closes at Mesa College on April 14th but moves on to the
Womens’ Museum in San Diego and is on view from April 23- May 31st.
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