By Lonnie Burstein Hewitt. Photos by Maurice Hewitt.
Closeup of Surveillance Mound. |
This
month, ICA North—the former Lux Art Institute—is giving new life to the
long-buried history of the indigenous people of California, who inhabited the
area for thousands of years before the missionaries marched in.
Christine Howard Sandoval, an artist of mixed indigenous, Mexican, and Spanish ancestry who received her art education in New York City and is currently teaching interdisciplinary art in Vancouver, has for some time been trying to unearth the complicated history of California’s indigenous people, including her own. By digging deep into mission archives, she is tracing the migration of her northern California Chalon Ohlone ancestors, piecing together the story of her community and her family, and effectively coming home to California.
Following
the missionaries’ arrival in the late 18th century and the Gold Rush
up north in the mid-19th century, California’s indigenous people were
dislocated, stripped of their identities, and often killed. Treaties were
broken, and they were subjected to countless indignities, including forced
labor and virtual eradication from California history. But what Howard Sandoval
found embedded in the archives is a wealth of information on the language,
traditions, and plant knowledge of her indigenous ancestors.
In her examination of mission architecture, she noted that the arches commonly used in entrances and passageways had the same shape as indigenous mounds and woven baskets, as well as the wooden hobbles that were commonly placed between the legs of defiant Mission Indians. In her ICA North exhibit, she uses the arch as a passageway into the somber truths of indigenous history.
False
Arch—the span of an opening (adobe
mud and graphite on paper). A
large, impressively textured piece—120 x 52 inches. |
Document
Mound. Application for Enrollment with the
Indians of the State of California (Inkjet print on vinyl tape, adobe mud and
steel—including strips of paper from a copy of the document) |
For the Transportation of Water. Water was carried long distances by indigenous people for construction of the missions. |
In her artist statement online, Christine
Howard Sandoval writes: “Artistically,
research drives my ideas and ideas determine aesthetics… I seek long-term
engagement with places and their people as a means of exploring my own
self-identity that is intimately formed by land and community.”
Be
sure to get up close to admire the texture of her pieces and consider the history
behind them. And on your way out, enjoy the lovely landscape, and check out the installation at the street-level Education Pavilion,
created by artist Hans Baumann in collaboration with young tribal people who
live near the Salton Sea.
Christine
Howard Sandoval: Coming Home
On
view through Oct 31 at ICA North.
Thursday-Sunday, 12-5 p.m. Free admission.
1550 S El Camino Real, Encinitas
760-436-6611/ icasandiego.org/
Special
Event: Art Exploration
Drinks
and discussion of the exhibit on October 28, 5-6 p.m. Free.
Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has written about arts and lifestyle for the La Jolla Light and other local media for over a dozen years. You can reach her at hew2@sbcglobal.net.
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