Art and Healing: Beyond Cancer/Closing Celebration in Fallbrook at Heritage Hall

 by Patricia Frischer

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The Art and Healing: Beyond Cancer/Closing Celebration in Fallbrook at Heritage Hall,* (122 W. Ash Street) was held as the culmination of weeks of projects, exhibitions and workshops. It was announced as Movies and Movement because the programs included four short films and two movement demonstration as well as an opportunity to dance for joy.

On display on three and a half large walls of Heritage Hall were some of 26 life size full-length figure portraits called Vision Bodies. These were on display throughout June at a variety of venues including the Fallbrook Art Association Gallery, the Fallbrook Library, and several local retail spaces. The creatives were a mix of artists, cancer survivors, and anyone in the community because the idea was not to create a likeness. It was an opportunity to visualize yourself as a happy, healthy, hopeful person.

Panorama view of the room

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Carol Zaleski, former director and curator of Friends of the Library. 

Nancy Heins-Glaser with ?5

?6 and ?7

This is not the first time we have covered projects by Kira Carrillo Corser.

DNA of Creativity at Oceanside Museum of Art ,2014
DNA of Creativity , Sea Changes: Act at Museum of Monterey, 2014
Life Doesn't Frighten Me: Hope Inspired through Art at Fallbrook Library, 2019
Health, Healing and Hope at Oceanside Museum of Art, 2025

She is a painter, journalist, photographer, videographer, lyricist with more than 12 books and 150 films in her credits. She has championed the homeless, women health issues, the blight of the oceans, the mental health crisis, pro-peace activism and for this community centered event, a personal burden in her live, cancer.

Nancy Heins-Glaser, Kira Corser, Lucy Boyd Wilson, BJ Lane

Homage Collage by?8

Puppet Project

But she was not alone. Although she headed the charge for the Vision Bodies, a team including artist BJ Lane and Nancy Haines-Glaser, a former oncology nurse spearheaded collaborations with Vet Arts (now located in Vista) and the Fallbrook Art Association and Gallery. Starting as simple workshop to get children involved because the frightful growth of cancer cases in minors, the other projects included homage collage workshop with Marian Seiders (painter, collage artist/ teacher,) gourd painting, and puppet making. All classes were free as this was not a fundraiser, but an awareness campaign.

Reggie Green: Radiance Protector, a guardian of strength, light and identity. 

They were delighted when Nahoko Miesen, an UCSD oncology social worker with a partner who is a vet came to the table.  Her Reclaimed Radiance helps veterans to transform the masks made for a pinpoint radiation treatment for the head. Once the treatment is completed, these large expensive masks are  usually tossed. Miesen originated this idea from her Japanese sense of frugality. The Veterans have transformed them and then after they were displayed in Vista, the Fallbrook Art Association put them in a show. But some of the vets then wanted to make Vision Bodies. One collaborative work was made to honor a member of their board with cancer.

Kira Carillo Corser, Patricia Frischer, Nancy Heins-Glaser, ?9, ?10, ?11

Tyde Richards, foreground, with ?12

Renya ?13(last name?) from Sage Yoga

Table top view

A miniature version of the 15-foot mural was on display before you walked into the space, and on view at the celebration on tables were samples of many of those projects. After viewing these and some introductions, Tyde Richards took us back to the invention of Tai Chi and how important it was to create balance and breathing when wearing heavy armor if you were going to win a battle. That battle is now for our health. Then Renya from Sage Yoga continued with more healing, lovely, gentle graceful movement exercises.

Angel Film clip by Kira Carrillo Corser

America Be Beautiful film clip by Kira Carrillo Corser

Lily Pond film clip by Lucy Boyd Wilson

Root Rising film clip by Lucy Boyd Wilson

Root Rising film clip by Lucy Boyd Wilson

Kira Carrillo Corser’s recent and repeated bouts with cancer are never apparent to any of us. She seems to conquer life at every turn. We know there is a struggle but she chooses hope time and time again. Her first firm showing was about a series of painting she created of Angels who were surrounding by animals to help guide her to health. The second titled America be Beautiful was a compilation of images to remind us of hope.

Lucy Boyd Wilson presented two films, Lily Pond and Root Rise. Both were made to slow us down and reach a sort of meditative state using natural images combined with color and moving graphic transformations.

One of three silk painting suspended over the window. 

These films were projected on a large wood wall and the stage was flanked by two Posts for Peace and Justice. These 8-foot post are all designed by various groups along a huge variety of compassionate themes and each has a lead artist.  Three beautiful silk paintings adorned the windows out to a patio where guest enjoyed cool drinks and fresh fruit. 

There was time for a little dancing at the end of the evening with DJ Maddy choosing the songs. It is because of the communal nature of all these events, that the attendees felt inspired to be empowered to be even more engaged. This celebration was only one night, but it was a night to remember....a night of light and hope. 

*Heritage Hall is a designated historic site built before 1910 that has been moved several times throughout the town's history. It now hosts community events including regular exercise class. Contact MaryAnn Collings for more info: 619.244.6126

Vision Body Artists include: Kira Carrillo Corser, B.J. Lane, Carol Zaleski, Debra Muzikar, Anna Quigley, Jackie Smith, Leslie Sommers, Lucy Boyd-Wilson, Debra Andersen, Kira Corser collaboration with granddaughter London Ross, Kelly O'Neill collaboration with granddaughter Maggie, Lila Hargrove, Trina McLean, Miriam Key, Reginald "Reggie Green, Julie Anne Moore, Tonya Savice, Nancy Hildebrand, Shelley Mallouf, Robin A Williams, Janet Ritza Camille Albritton, Maria Kostelas, Jahnise Brown, Dianne Funk, Toni, Ruth, Diane - collaboration in making a "Get Well" Vision Body for a newly diagnosed future survivor.

Reflections: Selections from Oceanside Museum of Art's Artist Alliance at PHES Gallery

 by Patricia Frischer

David Condit

Juried exhibitions are a way of life in San Diego county. The 34^th Athenaeum Music and Art Library’s Juried Show opens to the public on August 1  and there is still time to apply to the Cannon Biennial Exhibition  until the end of August for their show starting toward the end of Oct. The challenge for the selectors in all these exhibitions is to choose, usually from a large selection (often over 200 entries) to make a show which is coherent, relevant and of the highest quality possible. They are usually looking at digital images so it can be a surprise when the actual artwork arrives.

The PHES Gallery in Carlsbad in located on State Street in small cottage with five rooms each also limited in square footage. The Oceanside Museum of Art’s Artist Alliance put its best foot forward and Paul Henry (PH) and Ellen Speert (ES) with learned knowledge of their own space, choose carefully to display their selection to honor these artists. A small selection is shown here with a watery or figurative theme, which was very prevalent in the exhibition, aptly titled Reflections.

Bronle Crosby

Gia Moody

Alice Lemon

Julie C R Gray

Laurie Mika

Michael James

Fabrienne Fox and Marianna Baker

Video of just one of the five rooms at PHES Gallery

Jeff Crusberg - keeping still life tradition alive. 

Reflections, Selections from the Artists Alliance of the Oceanside Museum of Art Oceanside 
at PHES Gallery
July 26 to Aug 29th
2633 State St., Carlsbad, 92008
Gallery hours Thurs - Sat 2-7pm and by appointment
Paul Henry 760-696-3022

Fabulous! Cecil Beaton’s Fashionable World at MOPA at SDMA

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt

Daisy Bendix in Costume for The Galaxy Ball 1929.

If Cecil Beaton (1904-1980) is not a familiar name to you, you’re not alone: many of the people who come to this new exhibition at MOPA (the Museum of Photographic Arts at San Diego Museum of Art in Balboa Park ) have never heard of this multi-talented British-born artist before. But I’ve never heard so many enthusiastic comments in a museum…especially from viewers too young to be fans when he was alive and well-known world-wide.

The image above gives spectacular sheen to one of London’s “bright young things” at an annual charity gala known for featuring young socialites in fabulous costumes, like this one designed by Cecil Beaton with Oliver Messel, a famous designer of theatrical sets and costumes who was born in the same year as Beaton and died two years sooner.

The young woman admiring the image  is another newcomer to Beaton—Claudia Herrera, an SDMA Museum Attendant who is now a confirmed devotee.

“I love the esthetic beauty of his shots and the way his compositions use interesting backgrounds to express the relationship with his subjects in playful, romantic, and elegant ways,” she said.

Cecil Beaton Self Portrait 1927.

We’ve included some of our personal favorites here, among them this multiple exposure;  when you go, you’re sure to find lots of your own. And you certainly should go, since you have, happily, plenty of time: the show runs through January 10, 2027.

The exhibit, organized by The National Portrait Gallery in London, features over 100 pieces of fashion and portrait photography by this creative genius who started out costuming and photographing family members when he was just a kid and went on to Vogue Magazine, several Academy Awards for costume and  film design, and knighthood by Queen Elizabeth II.

“I’m not so well-versed in photography,” said a young painter, whose name is Mary Painter, and was brought to the show by her friend, Jamie Lynn Garcia, a photographer. “But seeing all this work, I became a Beaton fan!  I always thought the fashions in the movie “My Fair Lady” were wonderful and now I know who did them!”

Marion Davies

A featured dancer in Ziegfeld Follies when she was a teenager, Marion Davies was seen and adored by newspaper magnate William Randolph Hearst, who founded Cosmopolitan Pictures for her and made her a movie star. She ended up living with him in Hearst Castle, hosting famous parties, and then devoting herself to him and charitable work when he was ailing and remaining by his side until the end of his life.

Battle of Flowers 1935. Dress by Mainbocher. 
A watercolor, with pastel and crayon.

Charles Henri Ford in Surrealist Costume 1937

Salvador and Gala Dali.

Shadow Her 1935.
Fashion Model Louise Sheldon in a dress by Maggy Rouff.
The men’s shadows make the photo extraordinary!

Princess Elizabeth 1942.
She knighted him in 1972, when she was Queen Elizabeth II.

Princess Margaret in Dior Ball Gown: Her 21st Birthday
(from an original 1951 transparency)

My Fair Lady Costume

Rex Harrison & Julie Andrews in My Fair Lady on Broadway 1956.
The movie of My Fair Lady won Beaton Oscars for Best Costume Design
and Best Art Direction in 1965.

Men Who Fly Planes
During World War II Beaton used his distinctive style to document
the impact of war on people and places for the British Ministry of Information.

This exhibition is organized by The National Portrait Gallery, London, in collaboration with The San Diego Museum of Art. A full-color catalogue published by The National Portrait Gallery, London, complements the exhibition and is available in the MOPA@SDMA Gift Store.

Cecil Beaton’s Fashionable World
Museum of Photographic Arts at San Diego Museum of Art
On view until Jan 10, 2027
1649 El Prado, Casa de Balboa, Balboa Park, San Diego, CA, 92101
Hours: Open Thursday through Sunday, 11 a.m.-5 p.m.
Tickets: Members receive complimentary admission; Museum general admission tickets are required for nonmembers. 

 

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles in San Di5.ego County for over a dozen years. You can reach her at hew2@sbcglobal.net

Clearly Indigenous: Native Visions Reimagined in Glass and India Thompson: Looks Like Home at The Mingei

by Patricia Frischer

Preston Singletary 

 Clearly Indigenous: Native Visions Reimagined in Glass is a stunning exhibition at The Mingei in Balboa Park. Stunning in vision, stunning in view and historically stunning. The fact is that Indian artists were discouraged from doing anything not directly referencing their cultural past. There was no tradition of glass until the 1970s, when Lloyd Henri "Kiva" New, an influential Cherokee artist, educator, and the "Godfather of Native American fashion", revolutionized indigenous art by pioneering modern Native fashion. He co-founding  with Dr. George Boyce, the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico. At first a high school and then a college and now a university and museum and research center.

He brought in Dale Chihuly in 1974 from Rhode Island School of Design to teach. Chihuly introduced glass art to the school and was, in turn, influenced by Native Americans in his own work. His glass cylinders and basket series show that influence. Chihuly is included in this exhibition because of his major role in started this trend.

This exhibition curated by  Dr. Letitia Chambers, also author of the book of the same name with Cathy Short, has been roughly divided into four areas of content. But there are cross over artists in more than one subject area and also pieces that are have more than one subject area in them. And many of the artists collaborate with each other and work in other mediums like clay, wood and metal.

The main content subject are functional objects vessels and textiles inspired pieces in glass that look woven or have wood texture. Animals of the land and sea creatures are sculpted and etched. Ancestors’ voices including petroglyphs are respected and heard. There is a cross-culture influence bringing two worlds together…the spiritual and the real. The show covers 45 years of Native glass art.

The exhibition has been well traveled over the last 4 years. Some of the original works had to be replaced because some of the owners could not part with them for so long. But the artists are all thrilled with this exposure. There are 120 glass art objects created by twenty-nine Native American artists, two Australian Aboriginal artists, as well as two Māori artists.

The exhibition travelled with its own display cases but, of course, each venue is different. We have to applaud Emily Hanna, the Mingei curator, and Jerry Maloney, the installation designer. They are responsible for the creative placement and additional construction for all the Mingei exhibitions and their standards are amazingly high. 

"The glass art created by American Indian artists not only is a personal expression of each artist but also is imbued with their cultural heritage.  These artists have melded the aesthetics and properties inherent in glass art with their cultural ways of knowing.  The result is the stunning collection of artworks presented here."

– Letitia Chambers, Curator

Preston Singletary 

Dan Friday

Preston Singletary and Harlan Reano

Preston Singletary and Harlan Reano

Jody Naranjo and Preston Singletary

Preston Singletary and Marcus Amerman

Preston Singletary and Harlan Reano

LarryAnvakana

Angela Babby

Angela Babby

Raya Friday

Tammy Garcia

Adrian Wall

Joe Fedderson

Ho-Wan-Ut "Haila" Old Peter

Marvin Oliver

Dale Chihuly

Dan Friday

Marvin Oliver

Raven Skyriver

India Thompson: Looks Like Home turns functional basketry on its head.  Curated by Ariana Torres, Mingei Assistant Curator, discovered that this work by India Thompson actually comes from an emotional source. Thompson presents us with an entire bathroom, fire extinguisher, microwave, and refrigerator created out of reeds.  She chooses mundane, everyday objects, because that, for her, is what makes her home, a home. This journey started with trying to make a trout as a gift. The challenges of figuring out different shapes kept her moving forward. Time, repetition and patience are necessary for reed construction. They are also attributes of building a home. 

India Thompson

India Thompson

India Thompson

India Thompson

India Thompson

We also want to give a shout out to the third show on the second floor of the museum. To Catch a Fish contains a world of stories. Here are just three.  Robert J. Lang survived the Eaton Fire in Altadena in 2025 but his home and his origami materials, research and work he owned by other was all burnt to ash. That ash was put into hand-made paper and each of the 50 koi fish on display was created for a square of that paper. The giant fish traps come from the Philippines and are bamboo treated with salt water to prevent insect feasting. They are set in the water against the current. Local San Diego artist Aidelen Montoya research how the local lake trout population were nearly destroyed by lamprey and commercial fishing in the 1940’s.  The red beads in the beaded fish are not just representing the wounded fish, but they are the same number (1150) of lake trout spawning sites in the recovery process. 

Robert J. Lang

Fish Traps (unknown makers)

Aidelen Montoya

Aidelen Montoya (detail)

Clearly Indigenous: Native Visions Reimagined in Glass on view until Sept 20, 2026
India Thompson: Looks Like Home on view until Oct 18, 2026
To Catch a Fish on view until Nov 1, 2026

The Mingei
Balboa Park, 1439 El Prado, SD 92101
TUES - THU, SAT, SUN 10am - 5pm, FRI 10am - 8pm,  MON Closed