Saturday, October 4, 2025

Unknown Frontiers at Techne Art Center

 by Patricia Frischer 


Jonathon Schipper 

Crash and bang are the first sounds I heard entering TECHNE Art Center for the Unknown Frontier exhibition. But this was not an accident. It was sound coming from the falling works by sculptor Jonathan Schipper. In Schipper’s world, time isn’t just the ticking of a clock—it’s a sly accomplice. He makes you watch the world fall apart… slowly, artfully, and with impeccable timing. The framed art in the center of his wall, lifts straight out of the wall, a mechanical arm emerges with a life-like finger which then rotates and upsets the other works, one by one. Is that central work of mirror image cathedrals the robot winner of the wall? Maybe or maybe Schipper just has a fondness for reminding people that time will have its way with us all.

The humor of this work, literally knocking the art off the walls, set the tone for this show and I found myself looking for humor and finding some in much of the art on display. Hurrah…beauty and humor are valuable commodities in today’s world and we need as much as we can find. 

Jonathon Schipper 

Jonathon Schipper 

Jen Hitchings creates a meditation on the age-old romance between humankind and nature—a relationship as mystical, mythological, and codependent as any doomed love affair. 


Tim Murdoch art is hand (or foot)-worked, repurposed, and lightly seasoned with humor and exists as aesthetic public mischief.


Tim Murdoch- detail

Tim Murdoch

Will Hutnick is looking through a queer, ecologically tuned lens that refuses to play nicely with binaries.


Will Hutnick

Delilah Strunkel explores imaginative micro-worlds and patterns—those hidden little universes you didn’t know were lurking inside you, like houseguests who never left. 


Frank Webster paints the natural world the way a poet might transcribe an avalanche—delicately, yet with a sense you may not get out alive. 



Kate Stone's works is perfectly timed for Halloween. A simple piece of beige carpet, but look close and it is so creepy and funny at the same time as the teeth are very similar to the pile of the rug. 

Kate Stone - detail

Christopher Lin is building the future’s ruins while we’re still tripping over today’s.


Christopher Lin

David Kramer takes the chatter in his head: disclaimers, distractions, and self-deprecating jokes that elbow their way onto the surface of his hooked rugs. 



Briana Miyoko Stanley Lane has given us part memory palace, part obstacle course, and part séance for the things we’ve lost. In short, she has built a world you can walk through—though she might gently suggest you watch your step.



Briana Miyoko Stanley Lane

Hwang (Bo) Kim has dabbled in everything—drawing, assemblage, printmaking, photography—before settling down with oil paint, the way someone might finally surrender to sensible shoes. So comfortable, reliable and and you want them to last forever.


Chuck Thomas, is owner and curator of this show and it is always a thrill to see his studio open and the work on view. I find the motion and the color in his work, just pure joy. 

Unknown Frontier
TECHNE Art Center
Curated by Chuck Thomas
On view until Dec 5
Other artists featured include artists Jeff Feld, Sylvia Fernandez, Nathanael Flink, Jason Clay Lewis.
Thursday, Friday, Saturday 1-6pm
1609 Ord Way, Oceanside, CA 92056


Thursday, October 2, 2025

Omni Intelligent at Mandeville Gallery at UCSD

by Patricia Frischer


Lou Cantor’s The Oracle, 2023


Ceci Moss in her last curated exhibition for the Mandeville Gallery before taking up her new position at the Scottsdale Museum of Contemporary Art is presenting Omni Intelligent. The premise of this show seems to be how we will be communicating with A.I. in the future, but the twist comes as artists are also challenged to think about how A.I. will deem to communicate with us.  Two of the artists brought the sense of smell into their work, but most are visual and although there are textures, we are still in the ‘do not touch” the art world. There is sound, of course, as we are now used to seeing headphones attached to the art works.  


 
Lou Cantor’s The Oracle, 2023 greets you at the door and sets the stage for the rest of the exhibition. The pair of lips is suspended in the air and although you have to put on the headphones to hear the disembodied voice of A.I. you are most intrigued by how this is created. A closer observation reveals that it is LED light mounted on fan blades. You can see this more easily in the photo and film, but in real life the lips are un-interrupted. Humans are definitely the lower order in this dialogue

Rhonda Holberton Other Known Tomorrows, 2025

Rhonda Holberton Other Known Tomorrows, 2025

Rhonda Holberton Other Known Tomorrows, 2025

 
Other Known Tomorrows, 2025 by Rhonda Holberton is a three-part installation, a video of brain-wave activity which records stimulation by a “perfume” essence you are invited to sniff. And a 3-D printed rock that actually holds the bottle.  This was art meets science collaboration with researcher Dr. Ying Choon Wu, who directs UC San Diego’s Insight lab at the Institute for Neural Computation. Watch for the AI-manipulated video on the front of the gallery. 
 
 
agustine zegers vaho arborescente, 2025 

agustine zegers vaho arborescente, 2025 is simply a small sample of scent. When you smell it, you are invited to envision a forest, maybe after an electric storm because she has suggested that future trees are actually able to communicate with A.I. We know that trees communicate with each through their roots and that there are electrical elements with all plant matter so even though this was a minimal visual experience this was conceptually so interesting.


Star Feliz,  in Siren of Oblivion, 2024



Star Feliz,  in Siren of Oblivion, 2024 gives us one of  the most easily interpreted work. The water vessel from an ancient society is hooked up with cables and its middle now is communicating through a digital screen. The vessel reminds us of an earth mother and there is something siren like about the sounds that go with this piece.


 
CROSSLUCID  Red the Ocean Around U, 2024 



CROSSLUCID in their game design Red the Ocean Around U, 2024 instead of writing prompts for A.I. to respond to, the game asks the questions for the gamer to answer. U is the character and Claude is the A.I. and the adventures begins.


Eglė Budvytytė Songs from the compost: mutating bodies, imploding stars, 2020 

Eglė Budvytytė created a film Songs from the compost: mutating bodies, imploding stars, 2020 peopled by alien and human dancers responding to the real setting of a sand dune  shared by Russia and Lithuania.  There is a life cycle aspect but besides aliens, it was unclear how this related to A.I. The rainbow color is not present in the actual film, this was divine intervention by the android phone!
 
Ánima Correa

Ánima Correa - detail

Ánima Correa
presents the Repeater sculptures which represent the undersea cable which first started to connect universities via internet and the Espejitxs paintings which are bit a like big brother watching from on high.
 

Amia Yokoyama 

Amia Yokoyama
has been working with stop-motion clay animation but for this work those figures have been converted into 3D holograms  in ceramic frames. She explains: “I am exploring what happens when something exists in multiple dimensions simultaneously….”
 
 
Marcus Zúñiga brown archaeoastronomy, 2025 

Marcus Zúñiga
named his art work brown archaeoastronomy, 2025 to reference the stars in the sky. The structure  which reaches up, references symbols from New Mexican weavings. There is something reassuring about how the sky does not change through time and might hold mysteries yet to be discovered.  
           
 
Omni Intelligent
Mandeville Gallery
University of California San Diego
On view until Dec 6, 2026
Wed-Sat, 12-8pm