Wednesday, April 8, 2026

Cafés and Cabarets: The Spectacular Art of Toulouse-Lautrec at San Diego Museum of Art

by Patricia Frischer



Although Henri Toulouse-Lautrec was born to a rich family, a disability  stopped his legs from growing but pushed him into a world of art during the Belle Époque in Paris. This exhibition is mainly his work with color lithography*, but what is impressive is his gentle and respectful view of  ladies of the night. Yes, there are posters for performances, advertising commercials, but there are also a few lovely little drawings of horses and a dog, and one or two stunning oil paintings. 

Toulouse-Lautrec was friends with Edgar Degas and Vincent van Gogh, and you see influences, especially in the use of large areas of flat color which now look so contemporary, but go way back to the influence of Japanese graphics.

The museum store has a large selection of Toulouse-Lautrec goodies as you would expect, but it was delightful to see two of our San Diego Art Prize artists featured as well. Books, notebooks and candles related to Marianela de la Hoz and ceramic dishes by Beliz Iristay can be found in displays toward the front of the store.

*”In 1987, the San Diego Museum of Art received the spectacular gift of over one hundred paintings, drawings, and prints from the Baldwin Foundation, then overseen by Maruja Baldwin Hodges. This gift drew from the collection of Baldwin M. Baldwin, a Toulouse-Lautrec connoisseur whose holdings of the artist’s work were among the most comprehensive in the world and which were first shown at The San Diego Museum of Art in 1972. In celebration of this gift and the Museum’s centennial, this exhibition shares approximately fifty works by Toulouse-Lautrec from the permanent collection.”


















Belize Iristay


Marianela de la Hoz


Cafés and Cabarets: The Spectacular Art of Toulouse-Lautrec
On view until September 20, 2026

The San Diego Museum of Art
1450 El Prado Balboa Park, San Diego, CA
Monday, Tuesday, Thursday, Friday, Saturday 10:00AM - 5:00PM
Sunday  12:00PM - 5:00PMClosed  Wednesday


Boundless: Reflections of Southern California Landscapes in Midcentury Studio Ceramics at Mingei International Museum

by Patricia Frischer


Boundless: Reflections of Southern California Landscapes in Midcentury Studio Ceramics


Frank  Papworth



Frank  Papworth

Midcentury ceramics from South California is a very impressive exhibition and this is because the Mingei can put together an installation that is dynamic and stunning to view. The use of large photographic murals of landscapes that directly relate to the works on view was so engaging and supported one of the major themes of the show…the relation of  physical landscape to the creation of these works. Political and social landscapes are also woven into the didactic, especially with the display of one work by Peter Volkous from 1970 whose abstract expressionist bent led to non-functional art objects. This was the start of studio ceramics movement.

The Mingei is all about the handmade and Martha Longenecker, its founder,  was a student of Laura Andreson’s and contributed many of the works to this show of nearly 150 objects from Mingei’s permanent collection curated by Guusje Sanders. But others not mentioned below who are featured are  Rupert J. Deese and Vivika and Otto Heino as well as Martha Longnecker herself.  We love the quote from the press release: "Clay becomes the language of landscape.”


Gallery View


Laura Andreson 


Beatrice Wood 


Beatrice Wood


Laura Andreson (left) and Otto and Gertrud Natzler (right)


Laura Andreson 


Laura Andreson - 2 views this and below 


Laura Andreson 


Laura Andreson 


Harrison McIntosh


Peter Voulkos




Restitched: Feed Sacks in Mid-Twentieth Century Quilts 

Guusje Sanders has also curated the small but delicate Restitched display of quits made from lefts over cotton feedbags. It is interesting to note that these feedbags in the 1930’s and 40’s were more and more created by the manufacturers to cater to the taste of those who purchased them using softer cotton and removeable or erasable sales tags. Clothes were made from these sacks as well as house hold funishings, but it is the impressive quilt covers that tell the story of a handmade art that endures.  

Feedsack: long enough for a skirt!


Feedsack, doll pattern


Feedsack: scrapes for quilt cover


Feedsack: scrapes for quilt cover


Feedsack: scrapes for quilt cover with advertising included



Restitched gallery view

Inside the Design Center 

A quick shout out to the mid-century furniture design show which just ended. The Design Center in Hillcrest was a center in San Diego for all things modern 




Boundless: Reflections of Southern California Landscapes in Midcentury Studio Ceramics
On view until  Jun 7, 2026 

Restitched
On view until  May 10, 2026
 

Mingei International Museum
Balboa Park, 1439 El Prado, SD 92101
Tues - Thu, Sat Sun: 10am - 5pm
Fri 10am - 8pm, Closed Mon