by
Lonnie Burstein Hewitt
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| From a 2017 production at Arizona State University. (Jill Steinberg) |
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| Detail: From a 2017 production at Arizona State University. (Jill Steinberg) |
It’s
safe to say you’ve probably never seen an opera like San Diego Opera’s West
Coast premiere of The Aging Magician, an amazing piece of
theatrical sorcery that includes live music, choral singing, puppetry and
stunning stage design and will only be here for three performances before—like
magic—it disappears.
Originally
scheduled for March 2020 but postponed by an unimaginable pandemic, it promises
to be an unforgettable auditory and visual experience for audiences lucky
enough to see it on May 13 or 14 at the Balboa Theater in downtown San Diego.
It’s
the story of Harold, an aged clockmaker in the midst of writing a book called “The
Aging Magician” while trying to figure out how it should end and how to make
sense of his own life and legacy. The opera was originally envisioned by
composer Paola Prestini, the artistic director of a Brooklyn arts center
and multimedia company who is known for her innovative collaborations with poets,
scientists and filmmakers.
Inspired
by a short story about an aging magician by Jonathan Safran Foer which she read in an anthology of
writings honoring the box art of Joseph Cornell, she invited the
multi-award-winning writer/composer/vocalist/actor Rinde Eckert to write
the libretto for an opera; he would also take on the role of Harold. Her next
invitee was Julian Crouch, a visionary director/designer who started out
as a mask-maker and puppeteer in London and built an extensive career on both
sides of the pond.
I was already a Crouch fan, having seen some of his
work onstage, including Shockheaded Peter, which has been called “a sensational work of theater, dance, music,
cabaret, puppetry and circus that bursts with exquisite design” and was based
on one of my family’s favorite illustrated children’s books, a delightful piece
of poetic and visual weirdness whose title back then was Slovenly Peter.
I’d
also seen two of the operas he directed and designed for NYC’s Metropolitan
Opera on the big screen in “Live at the Met”—Satyagraha (about Gandhi)
and Doctor Atomic (about J.
Robert Oppenheimer)—so I couldn’t wait to see what he would do with The
Aging Magician here in San Diego.
Of
course, thanks to Covid, I had to…but now at last the waiting is almost over.
Produced
by Beth Morrison Projects, honored for its commitment to commissioning and producing provocative new works of “indie opera”
and music theater, The Aging Magician also features the Brooklyn
Youth Chorus, a Grammy Award-winning ensemble of young singers conducted by
Dianne Berkun Menaker, and the Attacca Quartet, formed at the
Juilliard School and formerly Quartet in Residence at the Metropolitan Museum
of Art. And Rinde
Eckert
will be center stage as Harold, the role he created.
All
in all, it’s a show you won’t want to miss, no matter what age you are.
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| From one of the earliest productions at MASS MoCA Museum in 2016. (Jill Steinberg) |
Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has been writing about arts and lifestyles in San Diego County for over a dozen years. You can reach her at hew2@sbcglobal.net.