Introduction by Patricia Frischer, coordinator, San Diego
Visual arts Network
DNA of Creativity at the Oceanside Museum of Art (The Groves Gallery and Auditorium, 704 Pier View Way
Oceanside, 92054) features work completed by the grant recipients SD View Art Now (a smart phone app to locate
local arts events near you), Sea Changes: Act (project featuring ways to
save our ocean), Urban Succession (preserving wild life in urban
settings), PAMM - PolyAesthetic Mapping: The Muses (ways to think about the
collaborations that artists and scientist experience). Worksare on exhibition from Sat April 12 to Aug 4, 2014, More info Patricia
Frischer
760.943.0148: Danielle Susalla 760.435.3721DNA of Creativity Workshops and seminars:
Sea Changes: Act - Sunday, April 27, 1 to 5 pm, Interactive art project during the for
Earth Day Festival/Oceanside Days of Art
Pamm Art and Science - Tuesday, June 17, 7- 8:30pm, DNA of Creativity PechaKucha Lecture with 1-2 artists from each team. The lecture will begin and end with a PAMM microtonal performance with poetry and Photoscopia demonstration.
Urban Succession Family Art Day - Sunday, August 3, 1- 4pm, Free Art & Science themed interactive workshops
Sea Changes: Act - Sunday, April 27, 1 to 5 pm, Interactive art project during the for
Earth Day Festival/Oceanside Days of Art
Pamm Art and Science - Tuesday, June 17, 7- 8:30pm, DNA of Creativity PechaKucha Lecture with 1-2 artists from each team. The lecture will begin and end with a PAMM microtonal performance with poetry and Photoscopia demonstration.
Urban Succession Family Art Day - Sunday, August 3, 1- 4pm, Free Art & Science themed interactive workshops
The DNA of Creativity was
initiated in 2011 to put together teams of artists and scientists. We had very
high goals. We hoped to make the complexities of art and
science accessible while showcasing the aesthetics of both. We intended to enhance
the viewing public’s perception of creativity and its role in our lives as
thriving, positive, empowered and fun. We wanted to re-enforce the idea of San Diego as an Art and
Science destination. Invigorating students of all ages to support the arts and
sciences either as participants or beneficiaries was essential.
We had a stellar selection committee who chose the four
grant recipients: Harvey Seifter
- Art of Science Learning
Director producing the nationwide Innovation Incubator. Ron Newby - Bronowski Art and Science Forum and Ruth West Research
Associate, UCSD Research in Computing and the Arts and now Associate Professor and Director,
xREZ lab at University of North Texas.
When you
take on projects that take over three years to produce, you know you have to
have a passion for the subject. My first reason for calling together teams,
with both artists and scientists, was very simple and quite selfish. I am an
artist and my husband Darwin Slindee is a physicist. I wanted to make sure we
could spend time together. But my passion turned into my privilege. I have
learned so much from the more than 50 participants that crossed the finish line
and are showing, have shown and will continue to show the results of their
investigations.
The Pezzoli
family lost their daughter Alyssa last
year in a terrible surfing tragedy. Her mother Marjorie who is part of the Sea
Changes: Act team said, “It really hit me tonight why jellyfish will always be
important to me...I was thinking about Alyssa, tears streaming down my face, I
looked up at the lights, the distortion caused the sight of a jellyfish. They
are an indicator of climate change and plastic pollution. The ocean and the
beaches have always been playground of Alyssa's, that's why I want to protect
them for all generations.”
This strong
belief in the value of being connected is a theme that runs through all the
teams. Jason Rogalsk, leader of the Urban Succession team, realized that his
project to shine a light on urban wildlife by providing artist made homes for
them was not just about the wild creatures living amongst us, it was about ecosystems. David Lipson thought that debris from gutters
was probably toxic waste, but found that within Jeremy Gercke’s inventive Soil
Blind sculpture it is a rich source of life.
Both
projects go further than just using art to make people care or to illustrate
scientific facts. They worked on the Inner-connectivity of art and science. As
a result artists increasingly became more scientific, while the scientists
embraced art. This is nowhere more clear
than in the PolyAethestic Mapping: The Muses.
The DNA of Creativity changed lives. Kaz Maslanka through hours and
hours of team work discovered the muses which made his very abstract process of
exploration of complex concept more accessible. He says, “ It was as if all I had done was throw a bucket of paint
into the air and the muses just appeared.” Vicki Leon has embraced the muses which came out of the polyaesthetic system. She says that their influence has expanded her areas of focus and allowed her to call upon their creative inspiration to explore new territory.
Yes, there
are challenges of managing large teams. Meetings over time helped members to
gain respect for each other and eventually become friends. Groups had to be
flexible in order to expand their ideas,
Everyone learned new facts like how photographer’s strobe lights hurt live
coral and ultimately how to make what
was examined safe from direct human contact. Michelle Kurtis Cole’s experiments
using glass instead of other coral as a substrate to regenerate coral could
change the way the ocean is being helped to help itself.
Working together as a team with personal passion for the subject and some financial support had advantages. These included greater production rates, opportunities to work on a larger scale, gaining new audience and learning and using new techniques. Team members could learn as they go and were fearless once they trusted that they could make mistakes and still move forward. Jeremy Gerecke said he found, “…an artistic direction that incorporates more that pure aesthetics. Work that can have a life after being on display, it can be studied and have a life of its own.”
In many cultures that we admire, art and culture are woven into the everyday fabric of life. This manages to happen without the art losing it status, power or affect. We are grateful to the Oceanside Museum of Art and our curator Danielle Susalla Deery and the Museum of Monterey for acknowledging this merging of
art and science on a scale equal to the efforts of our DNA of Creativity team
members.
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