New Contemporaries
VII at Meyer Fine
Arts (2400
Kettner Blvd, Suite 104, SD 92101) a special Artist “In Residence” Reception:
Saturday, June 14 from 2 to 5 pm with Kim Reasor , Dave Ghilarducci, Bhavna Mehta, Vicki Walsh. On exhibit from Fri. May 9 to Sat June 28
including Shane
Anderson, Dave
Ghilarducci, Garrett
P. Goodwin, Emily Grenader, Bhavna Mehta, Margaret Noble, Kim Reasor , Gail Schneider , Lauren
Siry, Cheryl Tall,
Vicki Walsh and Joe Yorty. Free to
download: New
Contemporaries VII Catalog More info:: pmeyer3583@aol.com 619.358.9512.
Kim Reasor has an intense interest in the environment and
things ecological. Once you know that, you look at her images of garbage and
box filled alleys and underpasses in a more poignant way. She is pointing out
the waste and over consumption all around us. But she does it with such a eye
for light and color that you might not first notice this hidden message. Kim
takes photos from moving trains and cars that are self confessed not very
professional, but because they are very strongly edited, you would think that
she lives in a world none of us have ever noticed.
Dave Ghilarducci does not make public often
the fact that he manufactures all the various part of his highly technically
art works from designing the mother boards to milling the plastic. He has a
book overflowing with ideas and designs and works on several sculptures at the
same time. His works speak for him and the two works in this show were about
community and infinite possibilities.
Bhavna Mehta (who was chosen by
Marianella de la Hoz as the SD Art Prize emerging artists for 2014) confided
that she lets the story unfold as she is drawing and cutting each work. She has
only recently started to work large and worked with words in her cut paper art.
She admires Vicki and Kim and Dave with their high level of skill and says
cutting paper is not hard to learn, but there are various tricks that make her
life easier, like moving the paper instead of her hands and using huge
quantities of Exacto knife blades.
Vicki Walsh is constantly astonished to
be told that people see the art she makes first as portraits. She sees them as
landscapes of skin and bones. She does not want them judged as likenesses of
the subject. The most recent models have been asked to smash their faces
against clear plate glass. This distorts the hills and valleys of nose and
mouth. But this distortion that seems so strange to the public and very mild
compared to the real bodies she had to portray as a medical illustrator.
No comments:
Post a Comment