by Patricia Frischer
Lux Art Institute Artist Talk by Omar Pimienta for his current exhibition Sediment/o, in the Linda Formo Brandes Gallery
I listened to this talk on Zoom and even though there were no images shown, Omar Pimienta paints with words. He completed his MFA in visual arts and his PHS in literary arts and his whole practice has not just been in comparing and contrasting both sides of the border, but in balancing those two mediums.
As a transborder artist, he has explored the banks of the Tijuana River and although he found the TJ side a sad slab of concrete, it seems to have inspired him. Here are a few paraphrases from his reading from the Sediment/o book.
· He is silt, suspended and traveling from water to the cement shore.
· His parents are sentiments of life’s river. Picking up bits and pieces on the way but also washed and worn.
· They ebbs and flow in a political climate.
· Historically, the land is the only reality. Owning land meant independence. Now, he who controls water is now independent.
· We did not learn how to swim, but we learned how to survive
Pimienta has always been
political but not a self declared activist. He respects activist too much to claim
to be one, finding activism too hard emotionally.. Activist are the firefighters
who fight the flames. He would like to make a few sparks to make people
think. He believes that neither art or poetry has an immediate effect. It is a long game.
|Close up of the text which is layered on the photo with a sediment/concrete type substance|
|There is a charming series of photo of natural landscapes with shapes again layered on the photo with a sediment/concrete type of substance.|
One 3-D piece I went to see at Lux is his concrete Puente la Marimba, the bridge which constructed in 1916 was wood and when cars traversed over it, made a sound like a xylophone. When the wood bridge was replaced by a concrete bridge, the music stopped.