Friday, September 24, 2021

Seeing the Invisible at San Diego Botanic Garden, Encinitas

by Patricia Frischer


El Anatsui - AG + BA (AR) The shadow of the rock and the slight lifting of the drapery as if disturbed by wind in this work make it truly magical. Don't forget to walk up close to see how pieces of aluminum or tin are joined with jump rings making this such an impressive piece of recycling. 



San Diego Botanic Garden (SDBG) in Encinitas is “showing” artworks created to enhance the real physical world. This augmented reality (AR)  exhibition Seeing the Invisible  includes works by 13 artists:  Ai Weiwei, El Anatsui, Mohammed Kazem, Sigalit Landau, Mel O'Callaghan, Isaac Julien CBE, Sarah Meyohas, Daito Manabe, Timur Si-Qin, Jakob Kudsk Steensen, Pamela Rosenkranz,  Refik Anadol, and Ori Gersht. 

This means that as you wander through this exquisite garden, you use a smart device and the invisible becomes visible. Some of the artists present moving images, others images that you move through and around. Sound is supplied to enhance and sometimes challenges you. The garden supplies smells and touches of wind and sun. No I didn’t eat any of the fruit I saw, but it was tempting to make this a fully 5 senses experience. 

Nothing about this was static as you had to participate to get the full effect by moving your body and even interacting with others on the site. A few of the works were scary, others were meditative but they all involved you with a surprise of some sort and many engendered questions.

I know this was not intended to be a Halloween specific display, but put it on your to-do list of haunted properties. And go with friends and family, if you can, as like going to the movies in a real theater, the audience adds to the thrill. 

This show will premiere across 12 gardens in six countries simultaneously in September 2021 will be available for a whole year until August, 2022. So in our local venue the works might be seen in a coastal setting but somewhere else it might be in a forest. It is co-curated by Hadas Maor and Tal Michael Haring organized by Jerusalem Botanical Gardens and Outset Contemporary Art Fund.  At SDBG, the president and CEO Ari Novy started this process one years ago, but SDBG was lucky to hire Senior Director of Education and Visitor Services Tomoko Kuta who joined the staff in April and helped to plan each location for optimal viewing. 

Besides investigating the subjects of each of the works, this is a chance to explore the interplay of the physical world with the digital one. It aims to present nature AND digital instead of nature versus digital.

You need a smartphone or tablet to experience these work available to download from Apple App or Google Play App. The exhibition is included in the price of admittance to the gardens and free to members. If your device is not enabled, you can borrow an iphone from SDBG on a first come first serve basis. 

My great thanks to Lourdes Munoz  who escorted me around the display and to Ashley Grable who set up my tour. 

Ari Novy on his World of Bromeliads throne


Ai Weiwei - Stoll through a Gilded Cage with turnstiles which makes that familiar sound as you ratchet around the space.  Look up and yearn for freedom. Or consider yourself safely cocooned from the outside world but with a view. 

Sigalit Landau  - Salt Stalagmite #1 [Three Bridges] Walk all away a round this mountain of miniature waterfalls and moats, hear the water and glide over arches avoiding the barbed wire. This work is based on the idea of salt bridges from the Dead Sea serving to connect warring factions in the Middle East, resulting in peace. 

 
Mohammed Kazem - Directions (Zero) Sited on a dramatic overlook, this enormous zero looms up and over you but peer closely to see the writing on the surface are location of every country in the world. And visit often to see the ever changing color. 

 
Isaac Julien CBE - Stones Agaist Diamond is a slow walk through ice caves in Iceland. All side of these five screens are changing and relating to each other and you as you encircle the work. Slowly the images change, and overlap with your movement. The beauty of the ice is revealed as precious as diamonds. 

Mel O'Callaghan -Pneuma One of the most powerful of the works, this globe distorts your view of the bamboo where it is sited, But as you can move inside the image, the heavy breathing and pulsing of the shapes becomes truly ominous. 

 

Daito Manabe - Morphecore Prototype AR Does this figure look stilted? Just wait to  see him start to dance and as the frenetic pace increased, his limbs are more and more disjointed. Add to that, you can walk right through him and the pixels start to dissolve and then re-align.  The artist extracted MRI scans of his brain and used this raw data to determine the digital movement. 

Jakob Kudsk Steensen - Water Serpent Sorry not to have a better image of this wicked piece of dried out cactus with a giant coiling snake eye that is almost obscene as it follows where ever you go. The artists states that it has "positive spirits and omens of life." You decide, but sounds of water where they is none does give pause. 

Ori Gersht - Forget Me Not Yep, it looks like just a 17th century Dutch vase of flowers, but then as you come close, it explodes with a loud noise (big bang theory) and the individual flowers, petals, leaves, glass and insects are shot into the air and then float down. Makes you think about the state of our own environment. 

Pamela Rosenkranz - Anamazon (Limb) This ghoulish green limb grows out of a real bright green leafed plant, but looking closely at the base, you can see a weird green glop dripping onto the ground. Shades of the Wicked Witch meets Little Shop of Horrors as this could be plant or human arteries and veins.  

Refik Anadol - Machine Hallucinations: Nature Dreams AR This abstract painting comes to life, pulsing as if the artist's paint was alive and trying to escape the frame. The colors are beautiful and the shapes enticing. But the algorithm that generates this work is based on natural images. (68,986,479 million of them)!

Sarah Meyohas - Dawn Chorus A simple grand piano playing itself with keys moving and string vibrating but then the blue birds (of happiness?) whips through the scene. When I changed my stance I came face to face with one of these creatures. These birds are what I imagined Cinderella's seamstress birds were like as they outfitted her for the ball.  Are the birds conducting the music or is the music orchestrating the birds movement?


 




Timur Si-Qin -  Biome Gateway It is hard to remember you are standing in the middle of a parking lot as you enter this dark cave with florescent cave drawings on the walls. Suddenly a ellipse of light beckons you forward and you find yourself outside under a star filled night. Nope, it is still sunny and bright in the real world, but this is a strong shift in perspective.  

Some helpful tips to make the most of your visit:
  • If you have not been to the Botanic Garden recently, there is a new entrance which is just a few block north from the old entrance. It is well marked and you park in a lot right next to the Dickenson Family glass conservatory. 
  • When you download the app, swipe up to start, try to find the signs for each of the AG sites. The little blue direction cones help to orient you to the right direction.
  • Put your sound level on high for the best experience. 
  • The app will let you know when you are there and then follow the prompts.
  • Try centering at different points of the same work especially if the sun is in your eyes.
  • Move around and even through the works, Look up and down and go up close.
  • If you smart device is not accepeted, borrow one of the loaner phones (which I had to do).
  • Go back again on a day with different weather as the background is so much a part of the experience and the AG is available until August of 2022.
  • Take water with you and make sure your device is chargedh!
Here are a few bonus images of the World of Bromeliads which was in the new Dickinson Family Education Conservatory. 

A wonderful tower of Bromeliads.

This wonderful new space can be used for all sorts of events. When the Bromeliads are gone, the large overhead displays can be lowered to fill the space or stay high to accommodate a large crowd. What a beautiful venue for a wedding!


300 Quail Gardens Drive, Encinitas, CA 92024
Wednesday - Sunday 9 am - 5 pm (Closed Christmas)
Admission charges vary
760-436-3036 x231

Want more digital exhibitions: Digital Me opens to the public on Saturday, October 9 at the Fleet Science Center through January 9, 2022 and was created by Amir Schorr, produced by Madatech: The Israel National Museum of Science, Technology and Space. It lets you track your digital footprint in the world with over a dozen larger-than-life exhibits covering geolocation, facial recognition, Artificial Intelligence, computer vision, data privacy including some wacky Insta-filters. 



Monday, September 6, 2021

Introducing The Re-Visioned Mingei Museum

 By Lonnie Burstein Hewitt. Photos by Maurice Hewitt.


Inside the Mingei: the Frances Hamilton White Art Library, with Nakashima furniture on both sides of the glass wall.

At 9 o’clock on the sunless Friday morning preceding Labor Day weekend, there was sunshine in the hearts of more than 100 people gathered in Balboa Park’s Alcazar Garden, eagerly awaiting the grand re-opening of the Mingei International Museum, which has been undergoing major reconstruction for the past three years.

Besides representatives of local media, the crowd included supporters and friends of the Museum, and speakers included Mayor Todd Gloria and the two main movers and shakers of the project: Mingei Director/CEO Rob Sidner and architect Jennifer Luce. 


Rob Sidner addressing the crowd at the museum’s new West Entrance in Alcazar Garden, with the origami crane curtain behind him. Architect Jennifer Luce is second from left in the lineup of speakers, with the Niki de Sainte Phalle mosaic The Poet & His Muse spreading wings over all. (Niki’s beloved Nikigator has been on vacation at Liberty Station but will be back outside the main entrance soon.) 

Sidner, praised by all for his leadership, patience and spirit during the seven years of considering and implementing the museum’s transformation, spoke of the Three A’s they kept always in mind: Access, Art, and Architecture. “We invite visitors to explore, engage and connect with art and one another,” he said, noting that the main floor—the Commons, which would always have free admission—was meant to be a public living room where people can gather for good food and conversation.

He and Luce both stressed the idea of inclusiveness. “We can barely wait for you all to make this place your place,” said the architect. 

Decorating the new garden-side entrance was a curtain of origami cranes, made by museum volunteers. Origami cranes are said to symbolize success and good fortune, bringing in good energy with their folded-paper wings. Once speeches were over, the curtain was parted to let everyone in.

Not all of the many features of the new Mingei were on view inside. A number of the large-scale pieces designed to enhance the architecture—all commissioned from accomplished women artists—were not fully installed, and we weren’t able to see the lower level, with its high-design theater—formerly a loading dock—where Art of Elan would be performing that Sunday.


The handcrafted Artifact Restaurant Bar. (Note the ceiling, designed by Jennifer Luce.)

But as we walked into the building, the sense of spaciousness was overwhelming, a feeling that pervaded our entire half-hour stay before the doors were opened to the public. The Artifact restaurant was not diner-ready, but the 30-foot handcrafted bar was impressive. And the two new exhibitions upstairs—Global Spirit and Humble Spirit—had many delights, while the glass-fronted Art Library and the dramatic Founder’s Gallery gave us a chance to admire the craftsmanship of tables, chairs and benches from the studio of master woodworker George Nakashima (1905-1990) in New Hope, Pennsylvania.


The Global Spirit exhibition, featuring over 200 pieces of folk art from over 20 different countries.


Wooden armadillo, made in Brazil, part of the Global Spirit exhibit.


Mexican rooster, made of scrap metal, backed by other pieces from Global Spirit.


Indian elephant, made of papier mache and bamboo. (Global Spirit)

Tin Lantern from Mexico, Japanese cotton towels on wall, part of the Humble Spirit exhibit, showcasing notable art created from humble materials.

Lifesize figures of a late-20th-century wedding party, made of papier mache and dung, from Bihar, India. (Humble Spirit)

Detail: Two figures from wedding party sculpture.
The Mingei’s 55-million-dollar renovation has so far raised $47 million from about 700 contributors—some giving as little as $5, some up to $15 million—and it’s definitely a place you’ll want to see for yourself. There are indoor and outdoor spaces to explore at your leisure, keeping an eye out for artful details on walls and ceilings. Artifact restaurant, opening in mid-October, promises to be a real palate-pleaser, and don’t miss the expansive park views from the upper decks. 

Entry to the Board Room, aka Founders Gallery.

In the Courtyard: Hand-twisted bronze picket fence by Jennifer Luce with A. Zahner/Zahner Labs. 


About the Mingei: Originally founded in 1978 by ceramicist/art professor Martha Longenecker (1920-2013), the Mingei began as a small space in University Towne Centre dedicated to Japanese folk art. Its name means “art of the people,” but over the years, it embraced the folk art of many cultures, and moved into Balboa Park in 1996. A nonprofit institution, the museum honors anonymous craftsmen from ancient times as well as contemporary designers, and welcomes over 100,000 visitors a year.

Mingei International Museum
HOURS: Sat-Wed, 10 am-5 pm. Thur-Fri, 10 am-8 pm.
ADMISSION: Adults: $14. Seniors, students, military: $10. Under age 18: Free.
Commons Level: Free to all. www.mingei.org

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has written about arts and lifestyle for the La Jolla Light and other local media for over a dozen years. You can reach her at hew2@sbcglobal.net.

Saturday, August 21, 2021

A New Art + Play Space for Children in Downtown Del Mar

By Lonnie Burstein Hewitt. Photos by Maurice Hewitt


A giant-size soft-sculpture faucet welcomes children into Wobbleland, the featured installation at Art + Play Space


GOT KIDS?  Or grandkids?  The New Children’s Museum in downtown San Diego has just opened a newer, much smaller adjunct in downtown Del Mar—a 2,000-square-foot Art + Play Space designed to bring art-related fun to North County kiddies.

Located in the Del Mar Plaza shopping center, Art + Play features a mini-version of Marisol Rendón's soft-sculpture Wobbleland, which offers little ones an opportunity to safely explore whatever they want to in a giant kitchen sink. (The full-size version is in the full-size museum downtown.) Kids can also create their own art in small Makerspaces and soon there will be classes and workshops available for children of all ages.

At the official ribbon-cutting on the morning of August 20th, local VIPs and media assembled, but the first one invited in was 4-year-old Sara Conroy, a Rancho Santa Fe resident, who went straight to the Swiss Cheese, since it offered something interesting to crawl through. My personal favorite Wobbleland piece was the watermelon rowboat, which Sara graciously posed in but didn’t offer much in the way of interactive possibilities.


4-year-old Sara Convoy really got into the Swiss Cheese.

Sara in the Watermelon boat.

About the Wobbleland artist: Marisol Rendón, originally from Colombia, is an artist, designer and educator who lives and works in San Diego and uses sculpture to explore our relationship to the everyday world around us. A member of the Artist Advisory Committee for the New Children’s Museum and the Arts and Culture Advisory Committee for the Port of San Diego, she is particularly interested in creating works for very young children that stimulate creative ways for them to observe and define ordinary objects. 

Quick Question: since several of the speakers at the media opening mentioned the increased access this new space offers to North County residents, why does the admission charge--$10 for everyone over two-years-old—make visits pretty much impossible for underprivileged families?

Adults-Only Footnote: For an interesting counterpoint to the toddler-centered Wobbleland, check out the sculpture to the immediate left of the Art+ Play Space 

Art-lovers of all ages: Look for outdoor art-works throughout Del Mar Plaza, and don’t miss the upper-level back patio, a pleasant place to sit, play large-scale chess, and enjoy some quiet time. On the sea-side of the Plaza, there are happy-hour concerts and of course, at all times, the lovely ocean view.

British sculptor Tony Cragg’s bronze Level Head is a standout on the Plaza’s upper-level back patio.

 Art + Play Space
Upper Level, Del Mar Plaza 
1555 Camino Del Mar, Suite 310
delmarplaza@thinkplaycreate.org/858-925-7508
Hours: Thurs-Monday 11 am-6 pm  
Admission: $10. Free to toddlers under 2.

Lonnie Burstein Hewitt is an award-winning author/lyricist/playwright who has written about arts and lifestyle for the La Jolla Light and other local media for over a dozen years. You can reach her at hew2@sbcglobal.net.

 

Friday, August 20, 2021

The Arts & San Diego: An ESPRESSO Point of View

 by John Rippo



The Arts & San Diego: An ESPRESSO Point of View 

I've read a good deal on the development of industry in SD in the 20th century, and the region has always followed certain tried and true paths to achievement. Organizing local power, finding friends among associative elements in society, lobbying Congress for federal spending and attracting suitable industry that brought jobs, economic power and more fed money is how SD became what it is. I hope that those who claim Arts is an engine of economy have it right; but those advocates need some planning, organization and direction for what Arts can and ought to do here before they can make friends, make a system that creates aesthetics of all kinds, provides income for many and draws respect, money and talent from everywhere. Arts need to industrialize, or at least learn the benefits of industrialization methods to secure the kind of future where Art can thrive.

(So the approval by the County Supervisors to look into a commission) This is great news. I would add that County ought to assess various real estate sites everywhere in SD; abandoned buildings; marginal structures and other likely places where artists, creatives and constructors might go to work cheaply.

A quick glance at local art history shows a pattern of artists of all kinds being more able to work effectively when not fraught with heavy rent and other expenses. Art thrives in the margins of real estate and slums are the breeding grounds of creativity of all kinds. Suitable places or even districts of "hands off" locations where many rules now governing building codes, zoning, etc., are needed for Arts to thrive. One example that San Diego lost was the bronze foundry at NTC. This once cast propellors for navy and civil ships years ago; it was perhaps one of the most advanced foundries of its kind on the Pacific coast. NTC's changes spelled the end for that foundry---and for the end of opportunity for interested people to learn the arts of casting bronze, and the works they might have otherwise produced---and the money they might have made. 

In my comment supporting the vote*, I mentioned Eric Hoffer, who wrote "The True Believer" in 1951. Hoffer is an almost forgotten philosopher who spent his life in California, working in blue collar jobs of all kinds while developing original thought on the human condition. His comments on places where creativity thrive fit San Diego almost perfectly. Those comments ought to be a basis for recognition of what this region has to offer artists and creatives, and perhaps a guiding light toward more firmly establishing this place as a seedbed of human creativity on a human scale. SD is already celebrated for this on a corporate/educational/bureaucratic/government level; high tech, aviation, munitions making and tech development are firmly established elements of the local culture and have been for years and were seeded by the same kinds of things Hoffer mentioned in the 1930's that described San Diego. It is long past due to give the individual artists a chance based on the same recognitions of suitability to Arts of the area.

In a similar vein, perhaps County could organize awareness and sponsor the donations of equipment to a central store; a kind of library of tools and materiel to be checked out as needed by those needing such for projects. This of course would be a considerable effort requiring a good deal of clerking power to make happen, which is why the County Library system ought to be asked (and funded) for help to administer such effort and perhaps the community colleges enlisted to train people in the proper and safe uses of tools, techniques, etc. Tools, materials, etc. might be donated by the public, acquired from estates or construction sites, etc. and repurposed. 

Sadly forgotten today are the many things San Diego once produced that contributed to world culture: the nascent development of artistic tile to be seen atop the tower at Balboa Park and the Santa Fe RR station, began in the early 20th century and was a casualty of WWI. The use of concrete casting techniques to build ships---and later sculpture---happened here first in 1917-19 and was promptly forgotten once the war ended. The development of the fishing boats that once were SD's largest industry were specific to San Diego and incorporated as much aesthetic style into the hull design as utility and cost would allow and established a class of vessel unique to the area that lasted until advances in technology made such small vessels obsolete. Even the earliest imported utilitarian flora---the humble arduno donax, or elephant grass, was brought by the Spanish here for use as a building material and was later used in a budding industry that made reeds for woodwinds from that grass for worldwide distribution, until the Depression ended the trade are virtually unknown victims of time, politics and economics----yet were once the result of SD creativity, application and tenacity. There is a lot that can be done here, from the ground up. That message must be promoted and cultivated and it’s in the County's interest to do so. 

Toward the ends of Arts promotion, County would do well to cast about to find likely friends to help the effort. The school districts, sports centers, Port District, libraries and the more than four hundred local coffee vendors ought to be eyed for what they can do to help in ways they can---as gallery outlets, sites for festivals, etc. This will take some dedicated effort by County and perhaps Arts organizers to multiply forces, but will be worth the trouble if SD is to become a true home for the Creative mind and talent. SD is fortunate to have Mexico on its border; a place teeming with capable craftspeople and artisans and artists of every kind. We have the possibility before us to build a place like no other in the world with regard to Arts. All it takes are the usual blood, toil, tears and sweat of Churchillian proportions; that and a corps of messengers to shape SD's Arts PR in ways that will intrigue the world just as it did about the desirability of the SD region generations ago. 

As I said before regarding Hoffer, SD is perhaps the best place in the US if not on earth for that kind of thing to happen and we could do worse than being known as a world home of Art of every kind, much as Los Angeles and Hollywood became the first world home for film. 

I think the County's recent vote is a step in the right direction and one that may lead to a better, more civilized and exciting future. Let me know how I can help any time. 

John Rippo
Publisher & Editor at ESPRESSO San Diego's Coffeehouse & Cafe Newspaper

* August 14, 2021 at 10:46pm PDT Philosopher Eric Hoffer said that for a place to home to creativity, thought and action, it has to be easy to live in, have no fear of failure, enough capital, more intellectual capital and sufficient resources. He may as well have described San Diego. As our history shows, creativity pays and always has; by reanimating a dedicated Arts and Culture org within County, you will aid artistic, creative, intellectual and other development in ways yet unknown to the future. God knows we need that.

Tuesday, August 17, 2021

Calorie Reduced Brain Candy

 By Patricia Frischer 

Brain Candy: The Art Collectors - A Virtual "Salon Series" presented by Vanguard Culture  with a lineup of collectors, gallerists, appraisers was a discussion about the 'ins and outs' of art collecting in an ever-changing world. This event was geared toward aspiring art collectors and artists with work available for purchase. With Sonya Sparks - Sparks GalleryElsie Arredondo - Arredon Art GalleryJohnny Tran -Thumbprint GalleryAlexander Salazar - Alexander Salazar Fine ArtJon Stock - NFT / Gallery Professional and Patricia FrischerSan Diego Visual Arts Network facilitated by Susanna Peredo Swap. More info: Bailey Gillis

Before the panel, questions were asked of the participants in order to prepare.  The following were my answers giving you a reduced view of the entire panel. I tried to make my answers short, but there is a full book of articles on SDVAN’s  Smart Collector. The full panel is archived so please listen to all the participants through Vanguard Culture.

Our SDVAN feature Smart Collector has a whole section on Collectors Business Basics. It also has sections on The Collectors Marketplace (where to find the art), Meet the Collector (interviews with locals) and The Published Collector (bibliography of collectors’ resources) and Collecting Insights for Artists (marketing and resource lists). We wrote a table of contents for an art collectors advice and commissioned articles to help with any and all questions.  

Art Collectors:

  • What is trending right now? What artists or styles should collectors be paying attention to?
    I don’t really believe in following trends. Buy what has meaning for you. Right now I see an upsurge in interest in African American, Latinx and Indigenous. In San Diego, cross border  art is always of interest and all four SD Art Prize recipients this year are addressing these issues. 
    We are having a renaissance of equity issues and when this much attention is paid to a subject, prices can go up. There is also new interest in P & D artists. Pattern and Design in San Diego include Kim MacConnel and Kelsey Brooks from Quint Gallery. 
  • How do I ensure the artwork I purchase is original? What types of questions should I be asking the gallery?
    Ask for a certificate of authenticity when you buy. It should state the work is original and if an edition what edition number. This could be signed by the artist or by the gallery selling the work. You can also ask to see the provenance of the work which should list other owners and where the work has been on public display.
  • What does the appraisal process look like? What types of resources are available for authentication of artwork?
    You need an appraisal mainly for insurance, or if you are giving a work of art to a non-profit and want a tax deduction. Official appraisals which are long and expensive, look at the published market for the work i.e. auction prices mainly, but also any secondary market that can be documented.  It is harder but possible to present sales invoices from private galleries. Work is compared to other work in the same category (size, medium, style, period) We have a complete SmartCollector article on appraising the work of living artist.
  • Is purchasing art a good investment? Why or why not?
    You should buy art you love. It can be a sound investment once the art prices are documented in the public auction records. In 2017 Sotheby's Acquires Mei Moses Art Indices, an Analytic Tool that rates artists with a point system. France had used a point system for years an artist had a point value and that was multiplied by the subject and size. But this was more for the convenience of pricing the work as it traveled to different galleries. There are vaults in Switzerland where art for investment is stored and no one every sees it except when it is exchanged from one owner to another. But if you want that, why not just buy stocks?
  • What exactly are NFTs? Should I be investing in them?
    NFT is a way to authenticate a digital image. But it very energy expensive and only time and the future of bitcoin will tell if this is a good investment.
  • What are red flags when it comes to purchasing artwork?
    If it is by a well know artists and seems like a bargain, watch out.
    If it is a high price by an artist without a good resume, watch out.
    If the provenance is not established, watch out.
  • What do I need to know about insurance?
    For expensive works the insurance is expensive so maybe insure for repair cost if work is damaged, or to pay for a private investigator if stolen. You can insure just part of a collection. There is a one time fee for Title insurance in case ownership is in question. Remember to insure art in transit. 
  • Should I hire an art attorney?
    If you have legal documents to sign, of course, you need someone knowledgeable in the field.

Artists with Art available for purchase:
Our SDVAN feature Smart Collector has a whole section on Collecting Insights for Artists.

  • What kind of a relationship do collectors want to have with artists?
    I find collectors in San Diego are very envious of artists and want to meet them in person. They admire the life style and innovation or creatives.  Most don’t want to hear art speak so don’t worry about talking the talk. Collectors can use artists to find other artists they might like so be generous with your introductions. But be loyal to your galleriest and don’t forget their percentage if sales occur outside the gallery space.
  • What is the best way to approach a gallery? What should you never do when approaching a gallery?
    Scout out which gallery you might fit into and visit it first. Talk to other artists in the gallery. Go to openings and meet as many people as possible. Never bring your work to a gallery without an appointment. Respect that clients always have priorities over artists.
  • Are NFT's something I should be paying attention to as an artist?
    Pay attention to everything! Curiosity is one of the main strengths of a of good artist.
  • How can I increase the value of my art?
    Make better art. If appropriate, make larger art and try to make art for public places and get commissions. Raise prices slowly as your resume improves. Never jump prices too high too fast. Encourage your art is eventually sold on the secondary market so there is documented proof of increase in price. 
  • How do I price my art? Smart Collector Collectors Basics Pricing
    Demand – Do you have a waiting list? Do your shows sell out? In general scarcity and desirability make for demand.
    Expenses – Is your process expensive, are your materials rare?
    Quality – How does your work compare in price to others in the similar categories with similar resumes?
    Scarcity – Do you work slowly or can you churn the work out? Are early series which are popular now limited in quantity?
  • Are there resources out there for those who want to sell their art online?
    Read a book first, then take a workshop. Choose a book that fits your style of learning: antidotal or bullet point lists.  We have a bibliograph online in 
    Smart Collector under Collecting Insights for Artists.

Patricia Frischer has taken on the roles of gallerist, curator, writer, teacher, website coordinator and artist. She is founder of the directory and events calendar San Diego Visual Arts Network, which funds the SD Art Prize . She has curated exhibitions including Movers and Shakers: Who’s Who in SD Visual Arts,  Little & LargeArt Meets Fashion and  DNA of Creativity.  Currently on the board of North County Arts Network, she is also an advisor for Encinitas Friends of the ArtsArtsBusXpress  and Synergy Arts Foundation. She holds an MFA in sculpture from California College of Arts and Crafts. Her own  paintings and sculptures has been shown internationally. She was director of a  London gallery, assistant professorship at Humboldt State University and head of the art department at Southbank International School. She is author of The Artist and the Art of Marketing and has lectured extensively on marketing for artists. Frischer writes A+ Art Blogs editorials monthly as well as art reports on current events. The SmArt Collector is an entire section of the San Diego Visual Arts Network  dedicated to art collectors.  Articles were commission on all aspects acquiring art works from collectors business basics, to marketplaces, to interviews and articles about collectors and even tips for artists wanting to sell their work.


Tuesday, August 10, 2021

El Más Allá Mural by Panca at New Children's Museum

 by Patricia Frischer




El Más Allá  (A World Beyond) by Panca is now completed and on view at The New Children's Museum (200 W. Island Avenue at Front. Panca is one of the four SD Art Prize recipients this year.  The San Diego Art Prize 2021  from Oct. 9th - Dec. 31st  is presented by San Diego Visual Arts Network and curated by Chi Essary at Bread and Salt with Beliz IristayHugo CrosthwaitePANCAPerry Vasquez (1955 Julian Avenue, 92113)

Panca, aka Paola Villaseñor, is an international artist known for her playful street art, which has appeared everywhere from walls in Mexico City to the galleries of the Museum of Contemporary Art San Diego. As a child, Panca visited The New Children’s Museum and recalls painting the outdoor truck, which was one of her first experiences with painting something on a large scale. Her mural SMILE, currently adorns the Museum’s entry bridge, welcoming visitors with bright colors and playful smiles. 

Born in Chula Vista, CA, to Mexican parents, PANCA is an Illustrator-Painter-Muralist- Installation Artist that resides in Tijuana, Mexico. She grew up speaking English at school and the "outside" while exclusively speaking Spanish at home and spending weekends and all holidays with family in Mexico. Her parents felt it very important to keep her connected to her heritage. She has been working between Mexico and the United States since 2004.

This binational, bilingual and bicultural artist feeds her art from her experiences living and working in Tijuana and San Diego. These very personal yet contrasting experiences fill her work with raw emotion, isolation and nostalgia as it pours out full of symbolism.

Her work has shown in museums, galleries, magazines, Netflix movie sets, on the streets and tattoo design. Her most recent work was featured in a fully published book in partnership with Bread & Salt gallery.












The New Children’s Museum has announced the launch of its first stand-alone satellite location in San Diego County. The 2,000-square-foot Art + Play Space will be a smaller version of the Museum’s 50,000-square-foot downtown location, featuring a commissioned art installation, a hands-on makerspace and museum store. Located on the upper level of the Del Mar Plaza shopping center along the coast in North County, the new space is slated to open August 20.