by Joe Nalven
I enjoy seeing a fellow traveler's street revelations.
Janine Free is showing her new work - from Berlin to Arcata to Tijuana - at Gallery 21 in Spanish Village/Balboa Park.
I cherish the excitement of wandering a city and shooting the life and lives of its denizens.
But what about Janine Free?
Here is what she'll tell you when you visit her show at Gallery 21.
Berlin
Street Photography to me is Documentary Photography with a sense
of humor. It does not have the purpose to inform or demand your sympathy. It entertains either by being funny or by
bringing out the absurdity of what you see in the streets of cities where a
high density of people live.
When you walk the streets, you are an observer, time is in the
present and your capacity to see amplifies details that your imagination turns
into stories. Your camera becomes an
extension of your state of mind, knowing exactly when all the elements are in
place to capture the story. Interesting
stories are rarely simple, they are always in flux and they are made of
multi-layered narratives. That is why I
am so attracted to reflections off store windows and the clues that mannequins, those
permanent residents, give you to help
compose and freeze in time a slice of urban life.
I always stay in a city for weeks, until I begin to feel its
essence and its place in history. I am satisfied when my photographs can
capture the sense of place shaped through time both by the past events and the
present. Reflections are the visual vocabulary that I use to make that story
heard by the people viewing my images.
Through the humor of Street Photography, in my case portraying mannequins,
I invite the viewer to use their imagination to complete the image.
I like to play with forms that challenge our perceptions by
capturing ambiguous shifting of the planes of space. I use the streets as a theater and the
mannequins as the actors.
Berlin
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