By Lonnie Burstein Hewitt. Performance photographs by Ken Jacques.
A brilliant trio, playing The Devil’s Trill by Giuseppi Tartini, and even the harpsichord is gorgeous. Augustin Hadelich, violin; Inon Barnatan, harpsichord; Mackintyre Taback, cello. |
There were terrific performances of all the musical pieces that evening, starting off with SummerFest Music Director Inon Barnaton at the piano and his thrilling rendition of Franz Liszt’s Mephisto Waltz. Violinist Augustin Hadelich brought the audience to their feet with a Paganini Caprice, but L’Histoire du Soldat (an old favorite of mine) was the pièce de résistance.
The Paper Cinema, with
Nicholas Rawling as illustrator and artistic director, has made a reputation
creating animated pen-and-ink puppets that turn music, film, and theater
performances into special events. You can’t really get a sense of their darkly
comic “moving drawings” in print, but here are the two main characters:
Written in 1918 as a theater piece with a French libretto by Charles Ferdinand Ramuz, L’Histoire was meant to be performed by actors and dancers as well as musicians. It was based on a Russian folktale about a poor, tired soldier who trades his violin to the Devil for the promise of great fortune.
The Soldier and the Devil making a deal.
Needless to say, though the
soldier gets plenty of riches and even gets to wed a princess, nothing lasts,
and the Devil triumphs in the end. The lesson is: Don’t be lured into making
deals with the Devil. Be happy with what you have.
Behind the scenes: the “puppeteers” at work.
Personally, I’m happy to have SummerFest here, and to have been at this wondrous opening. For more about SummerFest 2024, which includes many free events, see https://theconrad.org/summerfest
Lonnie
Burstein Hewitt is an award-winning author/lyricist/playwright who has been
writing about arts and lifestyles in San Diego County for over a dozen years.
You can reach her at hew2@sbcglobal.net
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