Oceanside Museum of Art
Facing West / Looking East
August 12 - Jan 13, 2013 at Bob and Estelle Gleason Gallery
I see a lot of art. I go to exhibitions, I subscribe to art newsletters, I look at art magazines, I view artist’s websites. I try to follow trends and I am always looking for some organized way of looking at art. That
is one reason I am so passionate about supporting curated art
exhibitions. Having an intelligent and dedicated professional gathering
works together to illustrate a specific viewpoint is a delight for me. It helps cut through the masses of images that I bombard myself with daily.
So
when I viewed the Facing West/Looking East show recently at the
Oceanside Museum of art, it was a relief to have someone as intelligent
at Richard Turner as a guide. The
show has two premises. The first is that California is a state of mind
recognizing that all minds are individual entities. The second is that
of the artist creating in California, many are” in the west but not
entirely of the west.” They have Asian heritage or are world travelers,
or simply have an affinity for things of the Far East. Reading
Turner’s introduction to the show with its lack of art speak showed the
roots of this show in his love for a TV show of his youth Kung Fu. I
was charmed.
Having said all that, it was really my viewing of the show with none of this explanation that made me want to know more about the curator and the show’s heritage. I walked into the space after an invitation to a private cocktail party hosted by Mickelson Capital Investing. They very cleverly used the museum to attract the people interested in their direct lending strategies to help get the economy moving while making income for investors. My interest is in getting the art market moving while educating viewers on the value of having art in their lives.
The entire show is worth viewing but I made a choice of works that spoke to me below.
Brian Doan
Jacci Den Hartog
Kara Tanaka
You have a few more days to check out Cruisin' Califas: The Art of Lowriding ending Sept 30, 2012 in the Singh Family Gallery at OMA. This is a smart, exhibition curated by local San Diegans Carlos and David C. de Baca that drew a record new Latino audience to the museum. Califas
is a slang term that refers to California amongst the Latino culture
with roots that going back to the mythological land of Calafia that
inspired the naming of California.
D.A. Garcia
Now I am looking forward to the next show which is curated by OMA Interim Executive Director, Tara Smith. YOU: Investigating Identity runs from Sept15 - Nov 11, 2012 and is displaying artworks by seven contemporary San Diego and New York based artists Alida Cervantes (SDVAN’s New Contemporary), Trish Stone, David Adey (SDVAN SD Art Prize), Kelly Schnorr, Lea Dennis, Cathy Begein and Melissa Cooke.
We also welcome the innovative projects emerging at the UC San Diego University Art Gallery (UAG) under the artistic guidance of Curatorial Fellow Michelle Y. Hyun.
Hyun is the first recipient of the UAG Curatorial Fellowship award.
This two-year paid Fellowship allows emerging curators to produce a
series of exhibitions and projects for the UAG while participating in
the intellectual and creative life of the visual arts department. The UC
San Diego Visual Arts Department is one of the few in the country to
blend graduate research in both art history and art practice in a single
scholarly community.
San Diego Mesa College offers San Diego’s only hands-on program in Museum
Studies and Gallery Management. Their next show is Seven Deadly Sins with
a reception and lecture on Sept 6 from 5-7 pm. In this exhibition seven accomplished artists
reinterpret the Seven Deadly Sins and contextualize them for the 21st Century. San Diego based artists Marianela
de la Hoz and Alexia Markarian are joined by Phyllis Davidson,
Gene Flores, Doug Sutherland, Henning von Berg and Peter Zokosky.
Art history professor Beate Bermann-Enn curated the exhibit. For more
info: Alessandra Moctezuma 619.388.2829
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