San Diego Museum of Art, San Diego CA
Ron Nagle: Peripheral Cognition
Curated by Ariel Plotek
Through February 17, 2015
Article by Cathy Breslaw
www.cathybreslaw.com
www.artfullifebycathy.blogspot.com
www.cathybreslaw.com
www.artfullifebycathy.blogspot.com
The current exhibition at the
San Diego Museum of Art, Peripheral Cognition, comprised of small
sculptural works by Ron Nagle, was organized by Ariel Plotek, Associate Curator
of Modern Art at the museum. Plotek first became aware of sculptor, Ron Nagle’s
work at the Venice Biennale in 2013, and this exhibition is Nagle’s first major
museum show. The mixed media and ceramic works in this show span 39 years. The exhibition required special displays which
were custom built in collaboration with the artist. Created for specific eye-level
viewing, each small ‘hand-sized’ piece has been deliberately placed and spaced within
the spot-lit protective glass displays, in overall darkly lit smallish rooms. The environment within which the art pieces
are shown creates a certain drama, highlighting the ‘preciousness’ of the individual
works of art as the viewer is drawn into Nagle’s world. The combination of tiny
vessels, cups, organically shaped forms and precisely hewn sculptures share
space with one another. Nagle’s works are each truly one-of -a -kind.
Originally influenced by the sculpture of Ken Price and ceramicist Peter
Volkos, Nagle’s work also bears connection to Japanese tea bowls and ichibana,
as well as to the modern, post-modern and pop-art movements. Important to note is
that Nagle is also a musician/songwriter which is evident in the rhythm,
movement, textures and color choices of the sculptures. There is also an
underlying sense of humor evoked in many of the works as well in Nagle’s
carefully selected titles for his pieces.
“Lobster Boy”, “Grim Trimmins”, “Sometimes Better to Lull Suspected
Person with False Sense of Security” and “Car Bomb” are some of his provocative
titles - begging the viewer to take an even closer look at the work, as we
search to understand the connections between title and meaning. One entire wall
is dedicated to a series of his drawings on old-school yellow and pink legal
pad paper. These small drawings provide a glimpse into Nagle’s thoughts and
ideas as he develops his work. It is visually and emotionally exciting and fun
to experience these intimate, diminutive works that challenge, tease and inform
us about the world of Ron Nagle’s imagination. In referring to his work, Ron
Nagle expresses his vision best:
"A great song and a great piece of art would have
in common the ability to evoke some form of emotion in the listener that they
haven't quite gotten before. If you've already heard it or already experienced
it what's the point of looking at it or listening to it?"
|
Lobster Boy, 1999. 3.625” W x 4.25” H x 2.125” D. Ceramic. Ted Rowland Collection. © 2014 Ron Nagle. Photography by Don Tuttle. |
Carbomb, 2012. 6” W x 5” H x
5” D. Mixed media. From the collection of Ron Nagle. © 2014 Ron Nagle.
Photography by Don Tuttle.
|
Love, this review and can't wait to see the work in person.
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