SDVAN is sponsoring FARM Creative Market and Art School Art
Mural held at the 10th Annual ArtWalk NTC from August 15 – 16, 10 AM to 6 PM located at Ingram
Plaza at NTC at Liberty
Station. More info: Paula
Every year San Diego Visual Arts Network sponsors a participation booth at Art Walk and this year we were delighted to give this opportunity to a new art school that will be opening in the fall at the NTC. They will have a large space at 2590 Truxton Road #106) at Liberty Station. They will be offering an unusal mix of digital and tradition classes but there will also be parties, demos, movies and special guest and showcases. Check out their website and watch for more information.
At their special booth this year, located right at the very front of the artwalk, they were using an unusual substrate of rigid but light weight board and there were lots of free sample. Guests were invited to try their hand and I understand, you did not have to create "within the lines." The board was supplied by Impact Visual Arts, which is a local company. This looks like a marvelous material for artists.
It is always fun to see friends at the Art Walk and the folks I talked to said they were having a very good year. Jeff Yoemans, Vicki Leon, and Duke Windsor were all displaying stunning work. My companion for the day loved John Hung Ha's cats and bought a lovely little painting for less money that a good meal.
by Melinda Resende “Together” August 1 to September 22, 2015Sparks Gallery530
6th Ave, San
Diego, CA 92101 (Between Island and Market) More info: Sonya
Sparks 619.696.1416
Sparks Gallery installation
When I heard about James Hubbell and his son, Brennan Hubbell, making an
appearance at one of my favorite galleries, I was overjoyed! I could not wait for
the evening at Sparks Gallery to meet both artists.It is so rare to find one of the most
established living artist in attendance for a reception.To have two artists (father and son) is even
more spectacular!
I have had a fascination with James Hubbell’s architecture and works of
art since my college years in the Art Department at San Diego State.
His works of art range from sculpted concrete to use of iron or metal, to
beautiful stained glass, incredible wood carvings, vibrant mosaic, mesmerizing patterned
brickwork and stone.
James Hubbell is known for creating art and architecture from natural
materials that provide not only shelter but inspiration and for those who want
to live in peace with nature. Brennan also focuses on creating his art based on
nature.
As I walked in through the entry way of the beautiful historic building
that was recently newly restored with tender loving care, I said my greetings
to the gracious young lady and director of the gallery, Sonya Sparks.I wandered towards the left of the gallery
where I was to find a nice size collection of both James and Brennan Hubbell’s
work.
One of the things I love about these pieces is how each one creates
whimsical formations. I enjoy the combination of nature with the subtle sense
of the Renaissance period. Maybe that is because of the use of forged iron on
wood, granite and stone bases. I also find there is a feeling of
organic life being formed. Each piece has some sort of story to tell to me of
peace, harmony and of enchantment. They are all different but united in ways
they are difficult to describe. I simply enjoy being surrounded by these
beautiful unique works of art.
Throughout the reception, James Hubbell was approached by a variety of
kind and loving fans and collectors.Finally, Hubbell senior was free and here was my chance! What a
delightful man with whom to speak.I was
on cloud 9!After a few minutes of
conversing and taking a photo (photo came out too dark- drats!), I was able to
find a moment with Brennan.He was equally
delightful and very interesting. He started creating art at a very young age
and actually helped build Ilan-Lael which is the art and nature center (home to
his parents Anne and James Hubbell and Hubbell Studios and the Ilan-Lael Foundation).
I have had the pleasure of seeing James Hubbell’s architecture and
sculpture within our own beautiful city.Not only can one view Hubbell’s own intricately designed home in Santa
Ysabel through special tours arranged by Ilan-Lael Foundation,one can also find an incredibly large
architectural sculpture at the foot of Shelter Island in Point Loma.In addition, his art can be seen in schools,
nature centers museums, monasteries and parks around the world.
To be able to have this very rare opportunity to see Hubbell father and
son work at a local gallery is not something to miss. If you have a chance,
please visit Sparks Gallery in the Gaslamp Quarters of downtown.They are open Monday through Thursday: 11:00
a.m. to 7:00 p.m. and Friday through Sunday 11:00 a.m. to 9:00 p.m.
James Hubbell TWO IN ONE, Corian on Acrylic
Base
James Hubbell DREAM LADDER, Forged Iron
James Hubbell APOLLO’S SONG, Forged Iron, Brass on Acrylic
and Wood Base
Brennan Hubbell RAIN, Mixed Media
Brennan Hubbell ANABATIC WIND, Mixed Media
PS. To see work by both James and Brennan Hubbell as recipients of the SD Art Prize link to the Athenaeum exhibition for these artists. It is very satisfying to see Brennan Hubbell's work go from strength to strength as he takes on the mantle of his father's life long work.
Macro Views, Micro Wonders by Cathy Breslawis
opening reception on Thurs. Sept 10 at 4:30 to 6:30 with a lecture to
follow the reception. The exhibition is on show from Sept 8 to Sept 30
at Mesa College Art Gallery ( 7250 Mesa College Dr, SD 92111) More info:. Allesandra Moctezuma 619-388-2829
When we walk into an art exhibition, we experience the 'here and now' as it looks at the moment. We enter unaware of the work and complexities of preparation. My solo exhibition "Macro Views, Micro Wonders" opens on September 10th but conversations with Gallery Director Allesandra Moctezuma and Assistant Pat Vine began over a year ago.
The photos above gives viewers a sense of the space with nothing in it and before it was freshly painted but it will serve in stark contrast of what is to come next week when together with help from folks at the college, I will be installing over 20 works that include two room installations and one wall installation, several mixed media drawings, several transparent layered industrial mesh wall tableaus, and floor work. Portions will be suspended from the ceiling, some covering walls and parts sprawling on floors.
For myself as an artist, I am a combination of humbled, excited, and nervous at the prospect of this challenge before me. Before I ever step into the gallery with my work, decisions have been made about the show title, printing accompanying images prepared for the banner, postcards, press releases and social media plans. It has been my experience that installing exhibitions is a true collaboration between the artist and curator/exhibition director as well as with countless others who make important contributions to the process. It is only with the true dedication of the staff, that I am able to create and install. The gallery space dictates ideas about what works to include and where they should be placed - viewers can think about their own living spaces and relate to the challenges of creating a home - and how each piece of furniture and object is thoughtfully positioned.
With many experiences behind me, I recognize the installation process as a creative act with a voice all its own, adding to that of creating the art itself.Next week I will be posting more photos of the process and then completion of the installation.
Packing up my work on Sunday,
I arrived Monday morning with my car loaded with art for the installation.
It was a nice surprise to see the large banner hanging in front of the
gallery, showing images of my work and details about the exhibition...
After unloading my car, the work began....
This image shows just a few of the over 50 separate pieces
eventually suspended from the ceiling, each having two to three points to hang.
Because the ceiling is made of metal, magnets were used to suspend the
individual pieces.
I had lots of help yesterday, all of whom either teach at Mesa or
have graduated from the Museum Studies program so they knew just what to do...
Today is day 2 - with more to come on the installation! A two and a half day journey developing the installation of my show at Mesa College Art Gallery is in its end stages. I don't often experience the hands on installation of my exhibitions since they can be in various cities around the country, so it is of great benefit to have had this opportunity to create the space in a very personal way. It has been a joy to work with skilled staff members that have helped every step of the way. Here is a peak, with a few images.....
Monday completes the installation with sound/video portion.....more to come!
Installation: Part 3
The final installation of Macro Views, Micro Wonders is almost complete. Francisco Eme, sound artist and I spent 3-4 hours working on installing the sound and video portion of 'Sensations' which is now in place. It's very exciting as this is my first installation using my video and Francisco's sound. Mesa College student Jenny Armer worked on carefully lighting the exhibition but was also instrumental in putting together the outdoor banner, posters and postcards for the show. Photographer Melissa Au shot images of the entire exhibition. Pat Vine orchestrated many aspects of the planning and details which has been a key factor in finally bringing together this exhibition.
I look forward in anticipation of the show opening on Thursday, September 10th, 4:30 - 6:30 pm, with a lecture I will be doing following it. The public is welcome and invited! Hope to see you then.....
Melissa Au photographer, shooting the installation of the entire exhibition.
Francisco Eme, sound artist explaining his process to Allesandra Moctezuma, Gallery Director,
as he installs the sound portion of 'Sensations' installation.
Pat Vine, Gallery Coordinator and Allesandra Moctezuma working on final lighting details.
Running with Scissors San Francisco Collage Artists Exhibition in the north Kate Ashton Gallery at Art on 30th (4434 30th Street, SD 92116) features collages made by artists participating in the Collage-a-Rama
collage-making sessions at San Francisco’s Arc Gallery during 2015:
Carrington Arredondo, Glenn Bachmann, KIrk Brooks, Kathy Fujii-Oka,
Dilcia Giron, Dianne Hoffman, Soad Kader, Mike KImball, Amy Levine,
Priscilla Otani, Tracy Starr, Denise Tarrantino, Stephen C. Wagner &
Tanya Wilkinson.
Collage derives from the French word "coller" meaning "glue", coined by
Braque and Picasso in the early 20th century. The advent of collage
signaled a radical shift in art, in its conception, perception, process,
& the end product. Collage has expanded the language of art,
allowing for greater diversity and an increased range of expression.
Using found, fragmented, and discarded materials, collage artists make a
case for informality and improvisation.
Summertime is the title of the show in the south gallery. Art on 30th, an art to market community dedicated to
providing everything you need to find your unique visual voice
and take your art from easel to market. Located in the heart of the North Park
Arts and Culture District north of El Cajon Ave., they have 15 artist's studio with two now available. They offer classes as well as the exhibition space and
specialize in helping artists take their art to market. More info: Kate Ashton619-894-9009
The entrance to Art on 30th is welcoming with a gallery on either side of the staircase. Upstairs on 15 studio spaces all with glass doors so you can look in on every visit and see new creations
The north gallery space showing Collage a Rama
Small wall with all works $125 by a variety of artists
Summertime is the title of the show in the south gallery.
Lynn Steffner - a little Anslem Keifer right here in SD
Donna Stewart - one of my favorites in this show and my husband agreed
Instructors Wall
Chris Finch, one of the art instructors
Kate Ashton, owner of Art on 30th and painter/instructor
Kate Ashton and Stephen C. Wagner. Stephen is a former Arts Education director at SDAI and now part owner of ARC Gallery in San Francisco which originated the Running with Scissors exhibition
Ship In The Woods Exhibition at Space 4 Art
325 15th St, San Diego
Opening Reception: Saturday, August 15, 5-10 PM
Show Runs August 18 - 21 article by Cathy Breslaw www.cathybreslaw.com
Adam Belt
A Thing Is A Hole, in A Thing It Is Not plywood, mirrors, light36x48x84 inches
A Ship In The Woods, a non-profit community arts organization dedicated to promoting elevated conversations about art and culture, brings a multi-dimensional arts event to Space 4 Art, an exhibition space in San Diego. Entitled ‘Here/Hear’, this exhibition’s opening reception includes visual art, performance, music, film and installation.
Six artists will use sound, light and viewer interactive experience to express their own perception of the ‘here and now’.The curatorial group organized by Curator, Lianne Mueller, strives to create exhibitions that use a combination of science, psychology, philosophy and the element of surprise to encourageviewers/participants to reflect and observe their daily lives with increased awareness.
The exhibition includes artist Lana Caplan who will engage the audience with an interactive piece, Adam Belt whose work illuminates images which slowly appear from a barren frame of blackness, Morgan Mandalay challenges us to become an active ‘looker’, Francisco Eme manipulates simple elements using natural reflection, and defraction of sound to create an ethereal soundscape and Gabie Strong and Matthew Hebert bring a tactile curtain of light and sound.
The opening reception on Saturday August 15this a fundraiser($8.00 donation) for theShip in the Woods plans for a new residency program, future education programs and a recording studio. There will be special performances throughout the night by music groups PRGRM and HEXAwhose music is a combination of moody, rhythmic and hypnotic sound that is electronic and experimental. A food truck preparing Cajuncuisine will be located outside of Space 4 Art during the reception.
by Lonnie Burstein Hewitt, first published in La Jolla Light
Faiya Fredman at home in La Jolla
— Lonnie Hewitt
Longtime La Jollan Faiya Fredman, who
will turn 90 in September, has been making art for most of her life. She
began as a young child during the Depression, painting at an easel her
father made for her to compensate for the loneliness of a life in the
desert when his architecture/contracting business in Phoenix collapsed.
She went on to study Visual Arts at UCLA, explore a wide range of media,
and see her work shown around the world, as well as locally, at the
Athenaeum and Museum of Contemporary Art San Diego.
Her work
includes mixed-media paintings and large-scale steel sculptures, but she
is probably best known for her botanical images, which start out as
bits of leaves, twigs and flowers arranged on a flatbed scanner. They
are arresting, unusual pieces that show flora, not at the peak of their
freshness, but withering, on their way out. Derrick Cartwright, former
director of San Diego Museum of Art, called them “luminous compositions
of breathtaking beauty.”
What draws her to create these portrayals of decomposition?
“I
want people to look at life as a process we all go through,” she said.
“The buds symbolize birth, then there’s the flowering and the withering.
I’m showing that the withering can be just as beautiful as the buds.”
The artist with curator Mark-Elliot Lugo, surrounded by her work.
— Lonnie Hewitt
Curator Marc-Elliott Lugo, who
presented several shows of Fredman’s works at the Pacific Beach Library
and included her in the recent exhibit of “100 artists, 100 years” at
the Oceanside Museum of Art, is a fervent admirer.
“Most of her
life, she’s been concerned with the cycles of life and nature, and
there’s always a profound element to her work,” he said. “And her pieces
are never just decorative; they’re elegant.”
These days, she is
using her scanner to combine botanical images with mementos from her
travels with her late husband, Milton “Micky” Fredman, a dynamic civic
activist and the first chairman of San Diego’s Commission for Arts &
Culture. Together, they visited ancient sites that often inspired
Faiya’s art.
Now, some of the puppets and masks they collected are
showing up in her new pieces, multi-layered lenticular prints that are
turned into shifting-image 3-D by a specialized printer in Los Angeles.
Face masks peer through the flora in one of Fredman’s
lenticular images. The final pieces appear to be three-dimensional.
— Courtesy
One of the interesting things
about Fredman is how tuned-in she is to technology — not bad, for a
90-year-old whose husband wouldn’t let her use his first computer years
ago. “He thought I’d get it all messed up,” she recalled. “But finally
he decided to give me my own computer, and I had somebody come in and
teach me how to use it.”
She still has the original large-scale
printer she used to create layered prints for her photo collages of
Greek ruins and local coastlines, though she now has an even larger one
with top-quality color and archival paper for her current work.
“She’s
always moving forward,” said Allwyn O’Mara, who has been Fredman’s
assistant for over 20 years. “The little girl who started making art at 4
years old is still creating, and using all her high-tech tools like a
painter.”
“Did you see my latest pieces?” Fredman asked, when
interviewed at her home. “I’m kinda pleased with them myself. Every time
I come up with a new idea, that’s my favorite.”
What is a Lenticular Print?
Lenticular
printing is a multi-step process used to produce printed images with
the illusion of depth or the ability to change as the image is viewed
from different angles. This process can be used to create various frames
of animation (for a motion effect), offsetting the various layers at
different increments (for a 3D effect), or simply to show a set of
alternate images which may appear to transform into each other. Source:
Wikipedia
Athenaeum Music & Arts Library (1008 Wall St, La Jolla) 24th Annual Juried Exhibition from July 31 to Aug 29. This years’
jurors include critic and author, Robert Pincus, PhD., Visiting Professor,
University of San Diego and Tina Yapelli, Professor, San Diego State University
and Director, SDSU Downtown Gallery. More info: Katie Walders 858-454-5872
With over 40 artists often represented by more than one work of art, the Athenaeum was full to brimming for this prestigious juried exhibition. And the crowd on the walls matched the audience on the opening night with a large selection of the art world out to see and be seen. It is always wonderful to see this sort of energy generated at an event.
Like most juried shows, it was hard to find a running theme for the show, so I just choose a few of my personal favorites to give you a feel of the variety. I have included notes that I hope make you want to check them for yourself with all the rest of the work. Go see, be seen.
Emily Slapin presented a portrait of this girl/women painted and framed like a tapestry. It was intriguing and reminded me of the Vermeer women like that featured at the Timkin Gallery currently. You know something is going on but not sure what and that lets your imagination run wild. she seems like a little girl dressing up and pretending to be a seductress.
Kris Moore's work does not come through that well in the photo, but the two photos were dramatically hung in a corner. The figure on the left has some strange line between the prow and the nose and it is only when you realize that the other figure is an elephant that you realize that the image is morphed. In my first glance I thought it was an alien.
Constance Rawlins gave us this "Harvey" rabbit, or maybe it is a "mascot" like those of Brian Dick. This photo raises so many questions, but they don't need answering. You can just enjoy the look of it and imagine what is behind the mask that goes with the body.
I first saw work by Allan Morrow at Perry Meyer Fine Art where I became a fan so when I saw this series with the textures and and colors, I easily took delighted in the strongly designed composition.
I am a sucker for a hands on intimate work on paper and these by Mihaela Luca are just the sort of charming gestures that make me remember why I ran a gallery in London specializing in drawings.
Mihaela Luca also made this collage/drawing that is so fresh and natural that it jumps off the page.
